To coincide with the release of Paw Patrol: The Movie, we sat down with star Marsai Martin to find out all about the pup rescuers jump onto the big screen.
Now airing in over 160 countries, Paw Patrol is a hugely successful television series that has been seen by millions so it was only a matter of time before “The Movie” (not discounting the other extended episodes that got cinema showings) made it into multiplexes and, after a year of uncertainty, its the perfect film for young families to grab some popcorn together. Martin, no stranger to success with her show Black-ish – which we spoke to her about with the 8th and final season due very soon – was filled in about the success of the show and the unique pressures that brought. We also talk about dogs, first responders and the importance of educating on the subject, and the unique recording sessions during the pandemic.
Now airing in over 160 countries, Paw Patrol is a hugely successful television series that has been seen by millions so it was only a matter of time before “The Movie” (not discounting the other extended episodes that got cinema showings) made it into multiplexes and, after a year of uncertainty, its the perfect film for young families to grab some popcorn together. Martin, no stranger to success with her show Black-ish – which we spoke to her about with the 8th and final season due very soon – was filled in about the success of the show and the unique pressures that brought. We also talk about dogs, first responders and the importance of educating on the subject, and the unique recording sessions during the pandemic.
- 8/11/2021
- by Scott Davis
- HeyUGuys.co.uk
Mark Hamill and Lupita Nyong’o were among the winners on Saturday night as the National Academy of Television Arts & Sciences (NATAS) announced the winners of the 48th Annual Daytime Emmy Awards in the children’s and animation categories. The show represented the second of three Daytime Emmy ceremonies this year; the third will be live streamed on Sunday.
Nyong’o won the limited performance in a children’s program Emmy for playing the Storyteller, in Netflix’s “Bookmarks: Celebrating Black Voices. Hammil was named outstanding performer in a preschool animated program for Disney Channel’s “Elena of Avalor.”
This represented the first year that all children’s programming, regardless of timeslot, shifted to the Daytime Emmys, under a new agreement between New York-based NATAS and L.A.-based Television Academy.
The children’s and animation Daytime Emmy winners were announced via NATAS’ Emmy Ott platform, featuring more than 30 categories. Daytime...
Nyong’o won the limited performance in a children’s program Emmy for playing the Storyteller, in Netflix’s “Bookmarks: Celebrating Black Voices. Hammil was named outstanding performer in a preschool animated program for Disney Channel’s “Elena of Avalor.”
This represented the first year that all children’s programming, regardless of timeslot, shifted to the Daytime Emmys, under a new agreement between New York-based NATAS and L.A.-based Television Academy.
The children’s and animation Daytime Emmy winners were announced via NATAS’ Emmy Ott platform, featuring more than 30 categories. Daytime...
- 7/18/2021
- by Michael Schneider
- Variety Film + TV
In an unusual show of consensus, reduced-price titles, a new PVOD title, and several independent films dominated all streaming charts. “Godzilla vs. Kong,” still #5 in theaters in its eighth weekend, followed its initial 31-day HBO Max play with PVOD availability. It placed #1 on both revenue sites, and was #3 and the best high-price title at those who rank by transactions.
The good news is “Godzilla vs. Kong” is thriving on PVOD at $19.99. The bad news is an awful lot of people don’t seem to be aware of the value of HBO Max, where it costs $14.99 for one month and allowed customers to see the same film in March. It suggests an ongoing marketing issue and, at the start of 2022, there will be another challenge when HBO Max customers realize that Warner Bros. titles no longer play day and date with theaters.
“The Marksman” with Liam Neeson remains #1 at GooglePlay at standard VOD cost,...
The good news is “Godzilla vs. Kong” is thriving on PVOD at $19.99. The bad news is an awful lot of people don’t seem to be aware of the value of HBO Max, where it costs $14.99 for one month and allowed customers to see the same film in March. It suggests an ongoing marketing issue and, at the start of 2022, there will be another challenge when HBO Max customers realize that Warner Bros. titles no longer play day and date with theaters.
“The Marksman” with Liam Neeson remains #1 at GooglePlay at standard VOD cost,...
- 5/24/2021
- by Tom Brueggemann
- Indiewire
Guido Rud’s FilmSharks International has snagged worldwide sales and remake rights to the Spanish movie spinoff of wildly popular French fictional comedy TV series, “Camera Café,” where a camera planted in a coffee machine captures the shenanigans and gossip chatter among office workers.
“Camera Café: La Pelicula” (“Camera Café” The Movie”) is an Atresmedia Cine, Estela Films and Warner Bros. co-production with the participation of Movistar Plus, which pre-bought Spanish pay TV rights. The comedy is the directorial debut of actor-writer-humorist Ernesto Sevilla (“Torrente 4”) and is also the feature debut of the film’s writer Raul Cimas, who has co-penned some Paramount Comedy Channel series with Sevilla.
The movie takes place in a dysfunctional office ten years after an economic crisis devastated the workplace where the most skilled people were fired. The least competent workers remain in charge and they will stop at nothing to keep their jobs.
“Camera Café: La Pelicula” (“Camera Café” The Movie”) is an Atresmedia Cine, Estela Films and Warner Bros. co-production with the participation of Movistar Plus, which pre-bought Spanish pay TV rights. The comedy is the directorial debut of actor-writer-humorist Ernesto Sevilla (“Torrente 4”) and is also the feature debut of the film’s writer Raul Cimas, who has co-penned some Paramount Comedy Channel series with Sevilla.
The movie takes place in a dysfunctional office ten years after an economic crisis devastated the workplace where the most skilled people were fired. The least competent workers remain in charge and they will stop at nothing to keep their jobs.
- 1/19/2021
- by Anna Marie de la Fuente
- Variety Film + TV
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