A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
When former journalist Martin Sixsmith is dismissed from the Labour Party in disgrace, he is at a loss as to what do. That changes when a young Irish woman approaches him about a story of her mother, Philomena, who had her son taken away when she was a teenage inmate of a Catholic convent. Martin arranges a magazine assignment about her search for him that eventually leads to America. Along the way, Martin and Philomena discover as much about each other as about her son's fate. Furthermore, both find their basic beliefs challenged. Written by
Kenneth Chisholm (firstname.lastname@example.org)
There are flashbacks which are done with "home movies". Some of these were created for the film but some of them are from actual footage of her real son. See more »
When Coogan's character is holding the photo of Philomena's boy, and they show a close-up of the photo, it is the same close-up with Philomena's thumb in it, that we saw earlier, not a man's thumb. See more »
Having lived the mother-baby home experience in Ireland (born at another of the Sacred Heart homes, Bessboro, in Cork in 1960, and trafficked to the US in 1961) and working as an advocate for the rights of adopted people and survivors of Irish Magdalene Laundries for more than twenty years, I'm always prepared to be either underwhelmed or angry at the film industry's ineptitude with subjects like this, I have to say I have not been as pleasantly surprised since Mike Leigh's excellent 'Secrets and Lies' and Peter Mullan's superb 'The Magdalene Sisters'. Frears, Coogan, Dench et al give Philomena's very true story such punch, truth and pathos, a heady accomplishment given the subject matter.
I look forward to the film's US release and urge my fellow 'Banished Babies' to see it, although I recommend going with support as it's very triggering. Let's hope Philomena's strength and tenacity, so powerfully portrayed by Dame Judy, coax more mothers living in shame and denial to reach out to their lost children before it's too late.
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