As Cecil Gaines serves eight presidents during his tenure as a butler at the White House, the civil rights movement, Vietnam, and other major events affect this man's life, family, and American society.
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
Faced with both her hot-tempered father's fading health and melting ice-caps that flood her ramshackle bayou community and unleash ancient aurochs, six-year-old Hushpuppy must learn the ways of courage and love.
While subjected to the horrors of World War II Germany, young Liesel finds solace by stealing books and sharing them with others. In the basement of her home, a Jewish refugee is being protected by her adoptive parents.
When former journalist Martin Sixsmith is dismissed from the Labour Party in disgrace, he is at a loss as to what do. That changes when a young Irish woman approaches him about a story of her mother, Philomena, who had her son taken away when she was a teenage inmate of a Catholic convent. Martin arranges a magazine assignment about her search for him that eventually leads to America. Along the way, Martin and Philomena discover as much about each other as about her son's fate. Furthermore, both find their basic beliefs challenged. Written by
Kenneth Chisholm (email@example.com)
When Martin and Philomena arrive in Washington, they are staying at the Washington Hotel, observable by the TV in Martin's room, which shows the big W for the Hotel. The Hotel's most interesting facet is its rooftop bar, which has the best view of the White House and Washington Monument of any DC Hotel. See more »
The church in the end scene is obviously in England. Even if a church of this appearance existed in Ireland it would not be in Catholic ownership as all pre reformation churches were given to the Anglicans. They should have found a credible church while filming in Ireland. See more »
Fabulous piece of work by all concerned. We get to see all sides of a single story without excessive back flips, cartwheels and other cinematic tricks. Coogan has got the measure of this story and pulls off a truly convincing performance as Sixsmith whilst Dench almost manages to do an entire film with a dialect....occasionally lapses but you may not notice. This is a real tear-jerker at points, thought provoking at many junctures and full of ironic humour. That's quite a feat and the more enjoyable for being so. I presume the timescale is roughly ten years ago so attempts at getting tech right for the period is still possible - amazing that so recent history can seem like centuries ago when we see old technology in use. I can see this film being a 'classic' long before it reaches any real age. Its the 21st century version of a 19th century Dickens tale, that it is.
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