It's Easter in the beach house of a Chilean well-to-do and nowadays family. A self-centered and successful father, a disoriented mother and a son overshadowed by his successful father. The ... See full summary »
Summertime. A cruising spot for men, tucked away on the shores of a lake. Franck falls in love with Michel. An attractive, potent and lethally dangerous man. Franck knows this, but wants to live out his passion anyway.
A boy who is believed to bring bad luck to everyone around him leads his family and two new friends through Laos to find a new home. After a calamity-filled journey through a land scarred ... See full summary »
Seeing a way to reassert control over her adult son's life when he faces manslaughter charges, an affluent Romanian woman sets out on a campaign of emotional and social manipulation to keep... See full summary »
Ryota Nonomiya is a successful businessman driven by money. When he learns that his biological son was switched with another child after birth, he must make a life-changing decision and choose his true son or the boy he raised as his own.
WHO TOOK JOHNNY is an examination into the infamous thirty-year-old cold case behind the disappearance of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The... See full summary »
An honest and intense portrait of a real woman, superbly interpreted
It is rare to find female portraits of real women, with all their imperfections, vulnerabilities, as well as their strength and courage. I have seen many movies trying to represent the female universe, but "Gloria" is in my opinion one of the most accurate, honest, real I have ever seen. In his picture there's not a single cliché , or pathetic, or melodramatic moment and the merit is to be given to Paulina Garcià who proves superb, she does not represent , she is a real woman, as if she were not playing. She offers such a variety of expressions, gestures , evidence of a great talent, her moments of joy are as intense as her down ones, proving always so charismatic and real. In the end we stay disarmed in front of this woman, who lives her sometimes desperate search for life in front of us, and we cannot but sympathize, smile, cry and feel with her. But her merit is shared by the director, quite significantly a man, and a young man, surprisingly capable of offering a very sensitive and mature view of the female world, and an equally honest view of a rather miserable male universe.
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