Hearing about 'Lewis' for the first time when it first started, there was a big touch of excitement seeing as 'Inspector Morse' was and still is one of my favourites but also a little intrepidation, wondering whether the series would be as good. The good news is, like the prequel series 'Endeavour', 'Lewis' is every bit as good as 'Inspector Morse' and stands very well on its own two feet as a detective mystery and show in general.
'Lewis' was a show that started off promisingly with the pilot and the first season, while getting even better with a more settled Season 2 where the show hit its stride. Season 3 was more of a mixed bag (not a bad season at all, but started a little disappointingly, though better than reputed, with one of the show's generally lesser episodes "Allegory of Love"). Season 4 generally was one of the better seasons of 'Lewis', with all the episodes very good to great, and Season 5 was solid with the only disappointment being "The Mind Has Mountains".
Season 6 started off very well with "The Soul of Genius", while "Generation of Vipers" was even better. Unfortunately, "Fearful Symmetry" was very disappointing and has always been one of my least favourite 'Lewis' episodes. Luckily, "The Indelible Stain" saw the sixth season back on track.
The seventh season is certainly not terrible with enough strengths to compensate for misgivings, but has suffered from the bizarre decision to split (or chop, which is more appropriate) the episodes into two halves with a week's hiatus, which didn't work in "Down Among the Fearful" and works even less in this "The Ramblin' Boy".
Certainly there are good elements. The acting is fine, Kevin Whately is very good as pretty much always while Rebecca Front and Clare Holman are just as good (really like the chemistry between Lewis and Hobson, very warm and sweet and should be developed even more). Babou Ceesay does a good job as Gray, Hathaway's temporary replacement, bringing an appealing quiet determination that suited the character very well. The supporting cast are without complaint too.
Production values are of very high quality. It's beautifully shot as always, and Oxford not only looks exquisite but is like a supporting character in itself. Barrington Pheloung returns as composer, and does a first-rate job. The theme tune, while not as iconic or quite as clever as Morse's, is very pleasant to listen to, the episode is charmingly and hauntingly scored and the use of pre-existing music is very well-incorporated (such as the lovely "Salut D'Amour").
Some thoughtful moments in the script, with a nice nod it seems to the classic 'Inspector Morse' episode "Deceived By Flight".
However, although Ceesay as said does well his character doesn't have the same spark as Hathaway, a character who the show just isn't the same without. He and Lewis don't have the same chemistry, which is pretty bland here.
Biggest problem is the story, even in the first half and it gets even more problematic in the second half, it suffers from trying to do too much with so many characters and subplots so the episode feels rushed and bloated. With a constant who is who feel and some subplots still a little vague and not as interesting as ought, the case just feels over-complicated.
Overall, not bad but very patchy, not 'Lewis' at its best. 6/10 Bethany Cox
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