Two newly weds Adjie and Astrid, along with 3 of their best friends decided to have an interstate road trip as a last attempt to reconcile Adjie with his estranged little sister Ladya. ... See full summary »
In Minangkabau, West Sumatera, Yuda a skilled practitioner of Silat Harimau is in the final preparations to begin his "Merantau" a century's old rites-of-passage to be carried out by the ... See full summary »
Sang-Hyun, who lost his wife, lives with his daughter Soo-Jin. One day, Soo-Jin is raped and murdered. Frustrated by the lack of progress in his daughter's case, Sang-Hyun gets a mysterious... See full summary »
Uwais plays a young man who washes ashore, an amnesiac with a serious head injury whose past comes back to haunt him shortly after being nursed back to health by a young doctor. Violence ensues. Sweet, sweet violence.
10 years after a global economic collapse, a hardened loner pursues the men who stole his only possession, his car. Along the way, he captures one of the thieves' brother, and the duo form an uneasy bond during the dangerous journey.
A martial arts instructor from the police force gets imprisoned after killing a man by accident. But when a vicious killer starts targeting martial arts masters, the instructor offers to help the police in return for his freedom.
In Tokyo, a serial killer is murdering women and posting his violent crimes on-line. In Jakarta, a rogue vigilante uploads his murdering spree for the world to see. A psychotic game of cat and mouse ensues as the two men battle for notoriety. Soon it becomes clear that it's only a matter of time until the two killers square off face to face. Written by
Reminded me of Crimes and Misdemeanors except the two main characters (one Indonesian and one Japanese) are engaged in a succession of brutal serial killings rather than adultery. It has too many flaws to be a great film, with a few dodgy scenes (especially in the Indonesian half), but after a slow start it succeeds in becoming a stylish, intriguing and witty story with a commentary on the public consumption of violent imagery that is subtly done and never becomes patronising. There is good acting from both leads and the supporting actors and a good helping of the over-the-top brutal violence that the Mo Brothers have been specialising in.
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