British couple Fiona and Nigel Dobson are sailing to Istanbul en route to India. They encounter a beautiful French woman, and that night Nigel meets her while dancing alone in the ship's ... See full summary »
Kristin Scott Thomas,
A young American woman (Sydne Rome) traveling through Italy finds herself in a strange Mediterranean villa where nothing seems right. Her visit becomes an absurd, decadent, oversexed ... See full summary »
Any other director I know would have already jumped on me.
I'm not "any other director".
Bullshit. If he thought he could, he would have already done.
Not even if I allowed him?
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Behind the credits are images of classical artworks depicting Venus. Titles, in French as per the credits, are as follows - Titian: Vénus a sa toilette (1555) (National Gallery of Art, Washington) Ferdinand Bol: Vénus et Adonis (1658) (Rijksmuseum) Titian: Vénus a sa toilette (1555) Rubens: Vénus au miroir (1616) Rubens: La Toilette de Vénus (1608) Diego Velasquez: Venus au miroir (1651) Hans Memling: La vanité (1485) École de Fontainebleu: : La Toilette de Vénus (around 1550) Sandro Biotticelli: La naissance de Vénus (1485) Alexandre Cabanel: La naissance de Vénus (1863) Emil Jacobs: Vénus allongé et Cupidon (1839) Nicolas Poussin: Vénus dormant avec l'Amour (1628) Titian: Danae (1546) Rembrandt: Danae (1636) Joseph Helmz l'ancien: Vénus endormie (around 1600) Alessandro Allon: Vénus et Cupidon (16th century) Titian: Danae (1544) Lambert Sustris: Vénus et l'Amour (1515) Domenico Zampieri: Vénus (17th century) Jacopo Palma: Vénus allongée (1520) (Bridgeman Art Library) The final image is of the "Venus De Milo". See more »
Since I had not been able to fully appreciate the recent Polanski works, this movie has been for me a big surprise. I especially disliked "Carnage" because I found it predictable, and therefore boring and I know very well I was quite alone in my opinion, but still. For this reason, I was biased towards another movie from the same director featuring just a couple of characters secluded in an interior. But, eventually, I found "Venus" surprising and exciting (and please don't misunderstand: excitement entirely came out of surprise).
The script, apparently simple, is a jewel with many shining facets, a brilliant movie translation of a witty stageplay inspired by a meaningful and modern book. It is like a very complex choreography, a delicate and fragile thing, very easy to spoil unless the execution is perfect. But the great work of the director and of the actors have produced a real masterpiece that maintains a high level of tension and interest throughout his whole running time.
Thanks to the brilliant connections between literature, stage and reality, and thanks to the many things that remain unclear about the character's real identities and motivations, this movie sounds much more like a question than like a an answer: some kind of Rorschach spot to test the opinion of the audience about the relationships between a man and a woman, between the lover and the beloved one. Go see it with an open mind, and you won't be disappointed: even in a worst case scenario you will find an interesting piece of conversation, so anyhow your time will be well spent.
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