(2013)

Critic Reviews

85

Metascore

Based on 41 critic reviews provided by Metacritic.com
100
Iranian filmmaker Asghar Farhadi pursues his exploration of guilt, choice and responsibility in a superbly written, directed and acted drama that commands attention every step of the way.
100
Village Voice
Bolstered by performances that convey profound grief and remorse without look-at-me histrionics, The Past is steeped in the believable micro details of its scenario while also expanding to universals.
91
Farhadi's new movie confirms his unique ability to explore how constant chatter and anguished outbursts obscure the capacity for honest communication.
86
Film.com
The Past is just about as good as a relationship drama is ever going to get. The plot is teased out with deliberate grace, the performances are sublime and the revelations, even the most melodramatic, feel right and true. It’s big canvas stuff painted by a new master.
80
It is an intricate and often brilliant drama, with restrained and intelligent performances; there is an elegantly patterned mosaic of detail, unexpected plot turns, suspenseful twists and revelations.
80
An indelible tapestry of carefully engineered revelations and deeper human truths.
75
This is a tremendously well written piece of work, with impressively developed characters, with scene after scene that further enriches and deepens our comprehension of their actions, yet never judges any of them. It certainly helps that Farhadi gets quartet of excellent, pitch perfect performances.
75
Like the characters in this inter-connected world, you may feel the need to let go of The Past, only to realize, after the credits, the hold it still has on you.
63
Slant Magazine
Farhadi navigates his complicated narrative thicket with an apparent ease that confirms yet again that he's an amazing talent, but here he isn't able to blend the brushstrokes as he has in prior films.
40
It’s intricate and often mature as drama, but it’s also meandering and at times heavy-handed, even melodramatic, and the tight control of time, place and action which made ‘A Separation’ so gripping is just not there.

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