From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
25 years ago, Jane saw a man killing her mother. Today, she's a well adjusted wife and mother herself. While having a physical, she notices a doctor who looks like the killer and reports him. No one believes her - except one cop.
A supernatural drama telling the story of three different families living in the same house in 1968, 1987 and the present day, linked by the spirit of the young daughter of the 1960s family, who drowned in mysterious circumstances.
A young couple move into an apartment only to find the body of a young woman that had been missing for 2 years but never registered as missing which leads to a deeper investigation into what actually happened.
I'm afraid I couldn't disagree more with the previous reviewer. I found 'A Mother's Son' to be very compelling viewing. I thought Chris Lang's script was wonderful - natural-sounding dialogue, and for one hour fifty minutes of the two hours I was unsure who had actually committed the crime, so deftly did he hint at the possible guilt of first one, and then of another character.
The casting was just as good. Martin Clunes revealed acting skills I hadn't previously seen him display as Rosie's second husband, and his character, Ben, was a wonderful contrast to David, her first, superbly played by Paul McGann.
The drama focuses on the suspicions of the mother (Rosie) that her son from her first marriage may have been involved in the murder of a local schoolgirl, and her dilemma as to how best to deal with those suspicions. Hermione Norris, who plays Rosie, has a real talent for portraying women on the edge, and she uses it to its fullest extent here. Only once does Rosie completely lose her composure; the rest of the time her torment is repressed and, with increasing difficulty, held in silent check. Ms Norris, however, can do more with silence and a slight change of expression than others can do with many pages of script, and I sometimes found Rosie's anguish almost too painful to watch.
Alexander Arnold, who plays her son Jamie, is equally good, moving seamlessly from sullenness to anger and then fear, and all the time seeming to me to give a very accurate portrayal of a wayward teenager.
Yes, it isn't an all-action drama, yes, the build-up of tension is slow, but it's steady, relentless, and, I thought, very effective. Perhaps it's the kind of thoughtful, thought-PROVOKING drama that isn't likely to be wildly popular with a mass audience, but it certainly left an impression on me. Two days after watching it I was still wondering 'What would I have done?'
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