Washed up Hollywood actor Reagon Pearce is kidnapped by thugs on the way to work in Shreveport, Louisiana. Trapped in a swamp hut, his kidnappers torture and blackmail him, hijacking his ... See full summary »
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Vancouver-based voice artist Ashleigh Ball has been the voice of numerous characters in classic cartoons such as Care Bears, Strawberry Shortcake, Cinderella and more. When Ashleigh was ... See full summary »
A rich heiress and her friends head for a weekend of fun at her isolated ranch house in the middle of no man's land. They soon find that the caretaker's dark past, has taken him down a bloody killing spree.
Washed up Hollywood actor Reagon Pearce is kidnapped by thugs on the way to work in Shreveport, Louisiana. Trapped in a swamp hut, his kidnappers torture and blackmail him, hijacking his twitter account and threatening to upload compromising material. How can he escape his predicament? Written by
Ryan Phillippe directs and stars in Catch Hell the story of a film star on the downward slope of his career getting kidnapped by a pair of rednecks. One of them is Ian Barford who has a psychotic personality and a grudge against Phillippe for having a quickie with his wife. Poor Ryan he just can't remember who it was. Turns out she was a wardrobe girl on the set of one of his films. Barford and his nephew Stephen Louis Grush who's just a follower type drive off with him from his hotel in Shreveport, Louisiana and take him to a secluded cabin in the bayous.
Of course Barford wants to kill him, but he also wants to humiliate him as well so he gets Phillippe to cough up his computer and Twitter passwords and he starts posting all kinds of noxious material, the kind that has ruined the reputations of folks like Charlie Sheen and Mel Gibson.
No doubt Ryan Phillippe was going for a gay audience as well because of Grush's character. Throughout the film he's giving the look of love to Phillippe as he's a most closeted gay man. Life throws Grush a real nasty curve however. It gets good and homoerotic with Phillippe and Grush.
I wish Phillippe had picked some better material for a directorial debut. But the man does show some promise there.
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