Directed by
| Jim McMahon | ||
Writing Credits (in alphabetical order)
| Jim McMahon | ||
Cast (in credits order)
| Jennifer Restivo | ... | Cassie | |
| Andrew Pastides | ... | Dan | |
| Mike Houston | ... | Curtis | |
| Morgan Hallett | ... | Dorene | |
 |
Randall Scott Faw | ... | Busboy |
Produced by
| Rebecca Brillhart | ... | producer |
| Randall Scott Faw | ... | executive producer |
| Jim McMahon | ... | producer |
| Kerry Taylor | ... | producer |
| Clinton Noel Williams | ... | co-producer |
Music by
| Rafaël Leloup | ||
Cinematography by
| Mike Simpson | ||
Editing by
| Tom Boardman | ||
Casting By
| Claire Traeger | ||
Production Design by
| Alan Lampert | ||
Art Direction by
| Natalie Garcia-Mayor | ||
Costume Design by
| Allison Pearce | ||
Makeup Department
| Kelsey Berk | ... | special makeup effects artist |
| Lillybeth Gonzalez | ... | additional special makeup effects artist |
| Toby Klinger | ... | key makeup artist |
Second Unit Director or Assistant Director
| Rodney Byerson | ... | first assistant director |
| Dee Martin | ... | second assistant director |
Art Department
| William Hatch Crosby | ... | set dresser |
| Christian Mortensen | ... | set dresser |
| Kristen Williams | ... | storyboard artist |
Sound Department
| Sam Casas | ... | re-recording mixer |
| Raj Dawson | ... | sound designer |
| Vincent Fayol | ... | boom operator |
| Alan Kudan | ... | sound recordist |
| Sasha Mandel | ... | adr recordist / foley recordist |
Visual Effects by
| Ed Benitez | ... | visual effects supervisor |
| Elliott Jobe | ... | additional visual effects supervisor |
| Tim Miller | ... | additional visual effects supervisor |
Camera and Electrical Department
| Gregory Brutus | ... | camera production assistant |
| Raymond Choi | ... | best boy grip |
| Holly Hosman | ... | key grip |
| Justin Ivory | ... | digital imaging technician |
| Emilie Jackson | ... | first assistant camera |
| Soren Nash | ... | steadicam operator |
| Meg Skaff | ... | second assistant camera |
| Ben Spaner | ... | first assistant camera |
| James Usmanov | ... | gaffer |
| Trevor Wilson | ... | best electric |
| Henry Zaballos | ... | second assistant camera |
Costume and Wardrobe Department
| Savannah Wyatt | ... | costume assistant |
Editorial Department
| Tay Bassett | ... | color assistant |
| Donato Boccia | ... | color assistant |
| Phil Choe | ... | color assistant (as Phillip Choe) |
| Rebecca Mitchell | ... | color producer |
| Andrew Pandolfino | ... | color assistant |
| Ronald Sudul | ... | colorist |
Music Department
| Raj Dawson | ... | composer: additional music |
Script and Continuity Department
| Kelly Inzitari | ... | script supervisor |
Additional Crew
| Sofia Bonami | ... | production assistant |
| Angel Cardenas | ... | set production assistant |
| Jonathan Cooper | ... | set production assistant |
| Chase Dominick | ... | set production assistant |
| Salim Hasbini | ... | set production assistant |
| Rhea Henry | ... | set production assistant |
| Daria Jones | ... | set production assistant |
| James McKenzie | ... | set production assistant |
| Nathifa Perez | ... | key set production assistant |
Thanks
| Mark Astemborski | ... | special thanks |
| Monica Bloom | ... | special thanks |
| Timothy Bloom | ... | special thanks |
| Mandy H.M. Brannon | ... | special thanks |
| Kari Browne | ... | special thanks |
| Sam Casas | ... | special thanks |
| Harry Bob Keares | ... | special thanks |
| Rob Knox | ... | special thanks |
| Steven Kochones | ... | special thanks |
| Michael Roy | ... | special thanks |
| Dani Super | ... | special thanks |
| Betsy West | ... | special thanks |
| Beau Williams | ... | special thanks |
| Mark Williams | ... | special thanks |
| Robert Wong | ... | special thanks |
