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Beyond the Walls (2012)
"Hors les murs" (original title)

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Paulo, a young pianist, meets Ilir, a bartender and bass guitar player originally from Albania. They become lovers. Confronted by his girlfriend Anka, Paulo finds himself out on the street.... See full summary »



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Credited cast:
Matila Malliarakis ...
David Salles ...
Carmela Locantore ...
La mère d'Ilir
Matilda Perks ...
La chanteuse du groupe
Ingrid Heiderscheidt ...
L'entraineuse du bar
Juliette Bouly ...
La cliente de la boutique
Albert Jeunehomme ...
Gardien de prison 1
Jean-Yves Lewillion ...
Gardien de prison 2
Manu Gustave ...
Gardien de prison 4
Joël Decrème ...
Gardien de prison 5
Adonis Danieletto ...
Réceptionniste du Métropole
Rest of cast listed alphabetically:
Flonja Kodheli ...
Ilir's sister


Paulo, a young pianist, meets Ilir, a bartender and bass guitar player originally from Albania. They become lovers. Confronted by his girlfriend Anka, Paulo finds himself out on the street. Despite Ilir's misgivings, Paulo moves in with him. One day, when Paulo promises that he will love Ilir for the rest of his life, Ilir leaves the city and doesn't return. A few days later, Paulo finds out that Ilir is in jail, and their relationship faces unexpected challenges. Written by Websurfer

Plot Summary | Add Synopsis




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Release Date:

5 December 2012 (France)  »

Also Known As:

Behind the Walls  »

Filming Locations:

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Aspect Ratio:

2.35 : 1
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User Reviews

Good, not great, but good
10 February 2014 | by (wisconsin) – See all my reviews

I have to disagree with the other review here (and at the time I write this, there's only one), Weekend is a much better movie than Beyond the Walls. I see the similarities, but this is far more complex than Weekend.

Not nuanced, mind you, complex. With Weekend, I felt I really knew the two principle characters well, warts and all. They were lifelike and real.

These characters are somewhat one-dimensional. Despite the life changes made by Paolo, the young guy, I didn't really understand him fully. More of a back story on him might have helped me understand how he goes from conflicted, to needy, to clingy, to obsessed, to victim, to detached, all in the space of a year. Which is entirely possible, but unlikely in a first-world early-20s-something.

And, evidently, he only knows two gay people, both older men. We only see him in the first scene with contemporaries (and they abandon him, so are they really friends?) except for his girlfriend. And all we learn about their relationship is that she's finally had enough of his sleeping with men.

And, I know it sounds petty, but it bothered me that I didn't know how Paolo was earning a living. That isn't revealed until half-way into the movie. I found it a distraction, wondering if it was a plot point. He uses an inhaler frequently in the first part of the movie, so I wondered if he was on disability. We don't see the inhaler in the second part of the movie, so maybe that's meant to signify he's more comfortable with the life choices he's made? If so, that's a LOT to hang on an inhaler.

His first lover, Ilir, is a little more sketched out, but I wasn't convinced that he was the kind of person who would have succumbed so quickly to the petulance and coquetry of Paolo, particularly when the aforementioned's "charms" were at least partly motivated by his needing a place to stay. The second lover, the owner of a gay sex shop, is about as flat a character as you'll ever meet.

If you sketch out the plot line on paper, it makes sense, and is plausible. But I don't think the movie makes the sell. Still, I wasn't bored, and was curious to see how things resolved. I did not quite buy the ending, but again, I could see how it might happen.

This is an above-average movie, and many may like it. But for me, it was no Weekend. By far.

7 of 10 people found this review helpful.  Was this review helpful to you?

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