A man believes he has put his mysterious past behind him and has dedicated himself to beginning a new, quiet life. But when he meets a young girl under the control of ultra-violent Russian gangsters, he can't stand idly by - he has to help her.
An ex-CIA agent and his estranged daughter are forced on the run when his employers erase all records of his existence, and mark them both for termination as part of a wide-reaching international conspiracy.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
Peter Devereaux is a former CIA agent who is asked by the man he worked for to extract a woman who is in Russia and is presently close to a man running for President, who is believed to have committed crimes during the Chechen war. She can give them the name of someone who can prove it. His friend says that she will only come to him. So he goes and she gets the info and tries to get out but the man finds out and tries to stop her. Written by
Devereaux's fingernails are badly chewed, but the fingers that scroll through the phone left by Natalia after she was killed were well manicured. See more »
I'm going back to work.
[takes her place at the table]
Don't worry, I checked her out.
Scenario: Agent falls in love with girl. Agent runs an op. Girl gets kidnapped. The other guys want to know the agent's source. What does he do? What do they do to the girl, hmm?
Is there a point to this?
Yeah, over your right shoulder.
[seeing another agent]
Us or them?
How the fuck should I know? Does it really matter? You feel the need for a relationship? Get a dog.
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Written by Aloe Blacc, Adam Schmalholz, Antonia Armano and Timothy James Price
Performed by Aloe Blacc
Courtesy of Interscope Records under license from Universal Music Enterprises See more »
I liked "The November Man." I thought the plot was straightforward, and when it wasn't then a character made a statement explaining what was happening. So many of these types of movies just have characters running around shooting at one another without details being tied up along the way. I did not feel that way about this movie.
I found myself rooting for the good characters, and having fun running alongside the hero. No one is going to win an Oscar, but the acting was well done for this type of movie.
It was a good 1.5 hours spent watching a spy thriller where the resolution at the end leaves me without any lingering questions.
The movie plot/tempo felt familiar given that I have read the books. I am hoping that more movies with this character are made.
P.S. It's a movie, not a film--ease up fellow critics.
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