Critic Reviews



Based on 37 critic reviews provided by Metacritic.com
There are countless clever dialogue parries as well as some quite outstanding rants. It definitely takes the movie outside of the world of pure realism, but the theatricality is well worth it.
While there's no doubt that Shepard's film is frequently laugh-out-loud funny and impressively, wittily written, with a finely tuned ear for the perfect bit of foul language, it stumbles slightly on the story side.
Shepard balances a livelier-than-life script with striking, super-saturated images, which makes the film feel bigger than it is.
Shepard’s film is fun but forgettable in the first hour, then disappointing in the final third. But Law’s raucous turn keeps you watching.
Richard Shepard’s film is far from dull, but it just doesn’t feel like the real thing, more like an artificial construct inspired by pumped-up crime favorites from a couple of decades ago.
Bitty and frustrating, its bigger laughs are set against some off-balance storytelling and crude comedy. Not one to take your nan to.
Time Out London
There are only so many scenes anyone can take of Law (never suited to the geezer role) strutting down streets shooting his gob off. If it was all in service of a smart story, so be it. But it isn’t.
Everyone is trying way too hard and Dom's final speech is toe-curlingly misjudged and charmless.
What you see in Dom Hemingway is exactly what you end up getting. It’s filthy, it’s shouty, it’s embarrassing, and you mainly want it to go away.
Slant Magazine
That Dom is so clearly an up-to-11 caricature, embodied with reliable pizzazz by Jude Law, makes the sentimental moments feel especially false.

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