Libby Day was only eight years old when her family was brutally murdered in their rural Kansas farmhouse. Almost thirty years later, she reluctantly agrees to revisit the crime and uncovers the wrenching truths that led up to that tragic night.
Libby Day is a lifeless woman who survived the massacre of her family in their farmhouse in the countryside of Kansas when she was eight. She's been living on donations and lectures ever since. Thirty years ago, the police believed that a satanic cult was responsible for the murder of her mother and two sisters, and her brother Ben was convicted with her testimony in court. Today, however, an acquaintance, Lyle Wirth, invites Libby to visit "The Kill Club", where amateurs investigate famous crimes, and she finds that they believe Ben is innocent. Libby needs money and, in return, accepts to revisit the slaughter of her family and comes up to the painful revelations and the ultimate truth. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During a scene at young Diondra's (Chloë Grace Moretz) house, where she and young Ben Day (Tye Sheridan) have sex and talk about her pregnancy, Moretz smokes a lit cigarette, visibly inhales, but no smoke exits her mouth when she exhales, breathes, talks, or while taking several more drags from the lit cigarette. See more »
I am not angry or sad or happy to see you. I could not give a shit. You don't even ripple.
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Unlike Gone Girl (which I liked a lot), this movie does not have a major plot twist in the middle. This is a Whodunit, with the finger pointed on a different character every 15 minutes or so. And instead of flashy, campy directing by David Fincher, Paquet- Brenner opts for social realism and... dark. Which is a good thing, because it keeps the focus on the plot which is thick, and moves at breakneck speed. The past and the present are interwoven seamlessly until the end, which was surprisingly moving - and for my money more satisfying than Gone Girl's. The acting is solid throughout, with special mention to Christina Hendricks and Corey Stoll as the emotional core. Hendricks is absolutely stellar. Gillian Flynn's unique voice comes through in the Voice Over narration and the dialogues which are at times funny and quite cynical. This time, the themes are growing up as a victim, confronting your past, the satanic panic of the 80's, as as with Gone Girl, the lies we tell ourselves and others. Definitely worth the price of admission. 9/10
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