Rasmus, 19, leaves his home town and family for Stockholm, where he soon joins in the gay nightlife. Benjamin is a young Jehovah's Witness who finds that he must choose between his sexuality and his ...
Pål dreams about success within the musical world, but he has an obstacle; himself. His deep thoughts keeps him end up in trouble. We follow Pål on a emotional inner travel to find his call on the swedish west coast of Gothenburg.
Tomas von Brömssen,
A story of two boys looking for their identity in a world where the traditional role of the man is changing. They are longing for success, endless love and passionate sex - but what happens if you fail?
Viva Hate is about Daniel, an avid Morrissey admirer, who starts the band Viva Hate to get recognition from the world, but mainly from his mum who only cares for his older brother Tommy. ... See full summary »
Not all battles are violent. Meet a courageous group of women who takes on both the male rulers of the day and a corrupt grocery industry. Savvy is their strategy and cans of healthy food ... See full summary »
Coming of age film that takes place in the Swedish archipelago during 70s about young Martin (Bill Skarsgård) who gets a summer job working at a hotel. The hotel manager Gösta (Peter Dalle)... See full summary »
Young adolescent girl Jenna's mother is dying, while at the same time Jenna is turning form a young girl into a young woman. So it is difficult for her to admit that she is afraid to lose ... See full summary »
Mika Berndtsdotter Ahlén,
When the factory in Molkom shuts down, Robin leaves his beloved hometown to try his luck in Stockholm as a wedding photographer. This experience changes not merely his outlook on life but also his hairstyle.
Films about mass tragedy can be hard to make without mawkishness; but 'Don't Ever Wipe Tears Without Gloves', a Swedish series about the A.I.D.S. epidemic of the 1980s, is simply superb. It presents a nuanced picture of the lives of the Stockholm gay community, in some senses hedonistic, in other senses, just a group of young men as desirous of such conservative notions as family as anyone else. And it presents a highly perceptive picture of many things: attitudes to gayness in general (at a time of much lower general tolerance than today), the simple wretchedness of death, the strange awfulness of certain types of religious belief, but above all else, the utter (and understandable) unpreparedness of the community for their imminent mass extermination. I guess that none of us are ever ready to die, but the series makes us understand why someone might kill themselves on diagnosis rather than live on for a while amid an ever dwindling number of their fellow doomed. The script is smart as well, initially driven by Rasmus, but the lead on the story soon passes over to Benjamin, his boyfriend. But the story's heart is really provided by Simon Berger's Paul, the focal point of the group, whose droll mother-queenery at first seems a cruel response to the illness of his friends, but which eventually turns into the closest thing possible to defiance (and even then it isn't much) in the face of a truly unbearable end. For those of us who live in the west, the primary threat of the disease has thankfully passed; but this is the best, most sympathetic and also most moving, telling of that story I have seen.
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