6.6/10
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Too Late (2015)

| Drama | April 2016 (USA)
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Explores the tangled relationship between a troubled private investigator and the missing woman he's hired to help find.

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1 win & 3 nominations. See more awards »

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Cast

Credited cast:
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Mary Mahler
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Jill
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Dorothy
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Eleanor Mahler
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Gordy Lyons
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Roger
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Matthew
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Samson
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Veronica
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Jesse
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Janet Lyons
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Arthur
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Ticket Girl
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Obnoxious Laugher
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Storyline

Explores the tangled relationship between a troubled private investigator and the missing woman he's hired to help find.

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Drama

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April 2016 (USA)  »

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Opening Weekend:

$7,000 (USA) (18 March 2016)

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$7,000 (USA) (18 March 2016)
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2.35 : 1
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Trivia

Each of the scenes was shot in a single take on a single 2000 foot 35mm film reel. See more »

Connections

References Ms .45 (1981) See more »

Soundtracks

Alles Mit Gott, Nichts Ohn' Ihn, BWV 1127
Written by Johann Sebastian Bach
Performed by Bach Collegium Japan, Carolyn Sampson (Soprano)
Conducted by Masaki Suzuki
Courtesy of BIS Records, Sweden
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User Reviews

 
Engaging if a bit overly ambitious
18 June 2015 | by (United States) – See all my reviews

Decided to see this at the LA Film Fest for a chance at seeing John Hawkes in action. I was not familiar with writer/director Dennis Hauck but will keep an eye out for him in the future--I think he shows a lot of promise.

"Too Late" is an ambitious contemporary film noir in five non-sequential acts, each of which is shot in a single take. As far as directorial "tricks" go this is one of my favorites, and Haucks executes it very well, without sacrificing movement or dynamism in the scenes. One unexpected result is that you are aware of the camera more than in most films, especially where the varied lighting, extremely long zooms and tough focal situations really make you feel the mechanical limitations of the camera and 35mm film. Whether this is intentional or not it's a nice nod to what is becoming a dying format.

The plot itself is fairly well represented in the genre: a beautiful woman (self-referenced as a "stripper with a heart of gold") calls for help from a private eye (Hawkes) and is subsequently murdered. This film spares us the investigative aspect of the ensuing drama and instead focuses on the emotional response of the characters. The following acts show us the aftermath, fill out the backstory, and finally provide some closure by revealing a plot twist that, while not entirely unpredictable, reframes the entire film in a very fresh and interesting way. Kudos to Haucks for the excellent ending, which is a trick that many miss but goes a long way towards creating a positive feeling about the film.

The acting is generally excellent, led by Hawkes who fill the grizzled gumshoe role admirably. He's a very self-effacing actor who follows the "less is more" philosophy, and delivers his character convincingly even when it's clear the dialogue is getting a bit carried away. Also notable is Dichen Lachman, who has continued to up her game and is becoming an actor worth following.

If I have any complaint about the film it's that Haucks seems to be emulating Tarantino a bit too closely, especially in the writing department. I think it's a fine idea to do a Pulp Fiction-style take on the noir genre, but I could do with less of the long-winded, dense, occasionally incomprehensible dialogue that's packed with more external references than a Joyce novel. A few too many eye-roll-inducing lines take a bit of the shine of what is an otherwise very enjoyable film, but it is well worth seeing nonetheless.


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