6.7/10
1,313
14 user 51 critic

Too Late (2015)

| Drama | April 2016 (USA)
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1:47 | Trailer

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Explores the tangled relationship between a troubled private investigator and the missing woman he's hired to help find.

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1 win & 3 nominations. See more awards »

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Cast

Credited cast:
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Mary Mahler
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Gordy Lyons
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Dorothy Mahler
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Jill
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Eleanor Mahler
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Roger
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Samson
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Jesse
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Matthew
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Veronica
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Janet Lyons
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Arthur
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Stripper
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Obnoxious Laugher

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Storyline

Explores the tangled relationship between a troubled private investigator and the missing woman he's hired to help find.

Plot Summary | Add Synopsis

Genres:

Drama

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Release Date:

April 2016 (USA)  »

Also Known As:

Cлишком поздно  »

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Box Office

Opening Weekend:

$7,000 (USA) (18 March 2016)

Gross:

$7,000 (USA) (18 March 2016)
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2.35 : 1
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Did You Know?

Trivia

Each of the scenes was shot in a single take on a single 2000 foot 35mm film reel. See more »

Connections

References The Wire (2002) See more »

Soundtracks

Nobody's Baby Now
Written by Nick Cave (as Nicholas Edward Cave)
Performed by Nick Cave & The Bad Seeds
Published by Embassy Music Corp (BMI) o/b/o Mute Songs
Courtesy of Mute Records Ltd
Under license from Universal Music Enterprises
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User Reviews

 
Remarkiably effective effort from Someone To Watch (Dennis Hauck)
30 December 2016 | by (Leiden, the Netherlands) – See all my reviews

I freely admit to having watched this film primarily because of Dichen Lachmann and Natalie Zea (who I'll see in anything), but it had a great deal more to offer than I was expecting.

Yes, Hauck steals freely from Quentin Tarantino when it comes to mixed-up timelines, and steals even more from the genre of L.A. Noir, but it has its own charms. It also has some really ballsy experiments, such as shooting each of the five acts in one single take (on 35mm film, which must have been a real bitch to pull off given the changing lighting conditions).

Good performances from a wide range of actors clearly pitching in and having a good time with a small Indie film in between better-paying gigs. Plus, there are some genuinely touching moments, the kind that make you (or at least made me) go back and re-watch a couple of early scenes at the end to see them at the end, after the context of them has been to some extent explained.

I like that the song "Down With Mary" has been short-listed for the Original Song Oscar this year. That shows that this film got more attention than might be expected for a supposed low-budget Indie flick. I look forward to Hauck's next effort.


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