In this sequel to Hope and Glory (1987), Bill Rohan has grown up and is drafted into the army, where he and his eccentric best mate, Percy, battle their snooty superiors on the base and look for love in town.
The hilarious highlight of John Boorman's HOPE AND GLORY (1987), nominated for 5 Oscars: 9-year-old Bill Rohan rejoices in the destruction of his school by an errant Luftwaffe bomb. QUEEN AND COUNTRY picks up the story nearly a decade later as Bill (Boorman's alter-ego) begins basic training in the early Fifties, during the Korean War. Bill is joined by a trouble-making army mate, Percy. They never get near Korea, but engage in a constant battle of wits with the Catch-22-worthy, Sgt. Major Bradley. Richard E. Grant is their superior, the very, very, infinitely put-upon, aptly-named Major Cross. Written by
Karen Cooper, Director, Film Forum
I am a huge fan of Hope and Glory and had high hopes for Queen and Country. The entire experience of the new film was very flat. It was like taking a cross country trip focused on making exactly the same distance every day and staying in safe hotels. Nothing stood out, except possibly some bad (over?) acting. Most of the cast was adequate, but Caleb Landry Jones and Aimee-Ffion Edwards mostly just over-acted, as did almost everyone playing someone in a position of authority in the military. Of course, dealing with a plot that made little sense probably did not help. The best part of the film takes place on the water where Callum Turner does a nice job of making us believe it was his natural habitat mostly by becoming more confident instead of the fish-out-of-water he usually is (that is about as deep as this moving gets). Unfortunately, there were also some lame scenes of filming on the water that also added nothing. The only good news for my wife and me is that one of our tickets was free, so we only wasted half as much money.
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