Exceptional London cop Nicholas Angel is involuntarily transferred to a quaint English village and paired with a witless new partner. While on the beat, Nicholas suspects a sinister conspiracy is afoot with the residents.
1987: A 13 year old natural born dancer with fire in his heels and snakes in his hips is working himself up to explode all over the UK Junior Salsa Championships. But then: a freakish bullying incident on the mean streets of London robs him of his confidence, and our young hero finds his life diverted down a very different path. So it is that 22 years later, an adult Bruce Garrett (Nick Frost) finds himself out-of-shape and unloved - trapped in a downward spiral of self-pity, repression and Nando's take-outs. Only Julia (Rashida Jones), his smart, funny, gorgeous new American boss, gives him reason to live. But she's untouchable. Out of his league, so he imagines, with her perfect smile and perfect life. Unknown to Bruce however, Julia has issues all of her own. Luckily for him, she also has a secret passion. Then there's Drew (Chris O'Dowd), his alpha male colleague and horny king-monkey of the office. With Drew making no secret of his desire to get (his words) "all up inside Julia",... Written by
In the scene were Bruce and Drew are dancing in the parking lot a car beeps to pass by and in the car is Simon Pegg. See more »
The end-credits magazine clipping "Sales Employee Of The Month" says that Helen Morgan has been selected since she met all the criteria "with flying colors". Since the film is set in England, that should be "colours". See more »
Synthetic, less friction means less blisters. Unless you like blisters. Who likes blisters?
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Several characters appear in newspaper clippings in the end credits, including Chris O'Dowds character in his new job. See more »
Watching films like the present one is, under some respects, a rite: we know in advance what is awaiting us, we can easily imagine what will happen, how things will turn, how they will end. So when we start watching we wonder mainly one thing: will the story develop as we expect, will our expectations be happily confirmed or on the contrary will something unpleasant let us down? Which is exactly what doesn't have to happen.
Knowingly or not we are seeking for something that will sooth our anxiety, like a balm. This is the prerequisite. Then we check if the film is OK, if it makes us laugh, if the story is original, if it surprises us, if the funny characters are actually funny... and so on.
Well according to me everything is OK in this nice movie, the story is good, the characters are catching and everything is as it had to be: funny and entertaining. A good British answer to American comedies.
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