At Phoenix Progressive School, where everyone tries to outdo each other with creative self-expression, 16-year-old Molly Maxwell (Lola Tash) would rather be invisible than risk revealing herself as completely ordinary. When her young,...
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Director:
Writer:
Stars:
Awards:
- 2 nominations.
- See more »
Photos and Videos
Cast
| Lola Tash | ... |
Molly Maxwell
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| Charlie Carrick | ... |
Ben Carter
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| Krista Bridges | ... |
Marilyn Maxwell
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| Rob Stewart | ... |
Evan Maxwell
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| Richard Clarkin | ... |
Raymond
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Brooke Palsson | ... |
Caitlin
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A.K. Shand | ... |
Gala
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| Nicholas Bode | ... |
Aiden Maxwell
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Lucy Gervais | ... |
Alicia
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| Alex Ozerov-Meyer | ... |
Starr
(as Alex Ozerov)
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Shankar Ravindram | ... |
Dexter
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| Cory Lee | ... |
Jordan
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| Inessa Frantowski | ... |
Gynecologist
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Bob Kerr | ... |
Police Officer
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| Brendee Green | ... |
Heidi
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| Miles Faber | ... |
Breakdance Teacher
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| Antonio Cayonne | ... |
Bartender
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Directed by
| Sara St. Onge | ||
Written by
| Sara St. Onge | ... | (written by) |
Produced by
| John Nadalin | ... | producer |
| Aeschylus Poulos | ... | producer |
| Mark Van de Ven | ... | producer |
| Justine Whyte | ... | executive producer |
Cinematography by
| Catherine Lutes | ||
Editing by
| Stephen Philipson | ||
Editorial Department
| Darcy Arthurs | ... | digital intermediate producer |
| Rob Gyorgy | ... | digital intermediate editor |
| Margaret Hutz | ... | digital film technician (as Margaret Mansell) |
| Matthew Olson | ... | dailies assistant colorist: Davinchi Resolve / dailies transfer: Final Cut Pro |
| Brett Trider | ... | colorist |
| D.W. Waterson | ... | first assistant editor (as a different name) |
Casting By
| Sara Kay | ... | (casting by) |
| Jenny Lewis | ... | (casting by) |
Production Design by
| Adam William Wilson | ||
Art Direction by
| Anahita Dehbonehie | ||
Set Decoration by
| Jennifer Marie Thomas | ||
Costume Design by
| Sarah Millman | ||
Makeup Department
| Brandi Boulet | ... | hair & makeup assistant |
| Vivian Orgill | ... | daily makeup |
| Jessica Shannon | ... | key hair stylist |
| Kristin Wayne | ... | makeup department head |
Production Management
| Jordan Gross | ... | production manager |
Second Unit Director or Assistant Director
| Robert Glover | ... | second assistant director |
| David Sparkes | ... | first assistant director |
Art Department
| Spencer Hahn | ... | set dresser |
| Mong Tho Mach | ... | assistant art director |
| Rachel Mathews | ... | lead set dresser / set dresser |
| Tisha Myles | ... | set dresser |
| Sam Pryse-Phillips | ... | property master |
| Phoebe Sequino | ... | set dresser |
| Kate Yang-Nikodym | ... | art department photographer |
Sound Department
| Allan Fung | ... | sound supervisor |
| Josh Machado | ... | sound effects editor |
| Huan Nguyen | ... | boom operator |
| Dennis Alexander Nicholson | ... | boom operator |
| David Ottier | ... | sound mixer |
| Derek Oxley | ... | boom operator |
| Geoff Raffan | ... | dialogue editor |
| Kevin Schultz | ... | foley mixer |
| Alexander Turner | ... | boom operator |
| Clive Turner | ... | supervising effects editor |
| Alex van der Meulen | ... | boom operator |
| Derrick Wood | ... | audio coordinator |
| Jonathan Evan Grant | ... | assistant sound editor (uncredited) |
Camera and Electrical Department
| Michael Bailey | ... | first assistant camera |
| Greg Baldin | ... | best boy electric |
| Andrew Curr | ... | camera trainee |
| Ramona Diaconescu | ... | still photographer |
| Iden Ford | ... | still photographer |
| Anne Guillaume | ... | still photographer |
| Tom C. Hall | ... | camera trainee |
| Brad Hruboska | ... | steadicam operator |
| Christos Kalohoridis | ... | still photographer |
| Edwin Lau | ... | gaffer |
| Baha Nurlybayev | ... | digital imaging technician |
| Courtney O'Connor | ... | electrician: daily (as Courtney Bruneau) |
| Kevin Packer | ... | steadicam operator |
| Brad Sayeau | ... | grip |
| Jonathan Staav | ... | first assistant camera |
| David Stuart | ... | second assistant camera |
| Danny Sturman | ... | best boy electric |
| Sean Sullivan | ... | genny operator |
| Andrew Tays | ... | key grip |
| Daniel M. Veldman | ... | best boy grip |
Music Department
| Paul Aucoin | ... | music supervisor |
Script and Continuity Department
| Jordan Canning | ... | script supervisor |
Additional Crew
| Joe Alonzi | ... | production coordinator |
| Cynthia Amsden | ... | unit publicist |
| Erin Burke | ... | executive in charge of production |
| Bruce Carson | ... | production assistant |
Thanks
| Michael McNally | ... | special thanks |
Production Companies
Distributors
- Entertainment One (2013) (Canada) (theatrical)
- Capelight Pictures (2014) (Germany) (DVD)
- Capelight Pictures (2014) (Germany) (Blu-ray) (DVD)
Special Effects
Other Companies
- 3D Camera Company (camera equipment provided by)
- Line 21 Media Services (closed captioning)
Storyline
| Plot Summary |
At Phoenix Progressive School, where everyone tries to outdo each other with creative self-expression, 16-year-old Molly Maxwell (Lola Tash) would rather be invisible than risk revealing herself as completely ordinary. When her young, handsome, disillusioned English teacher (Charlie Carrick) enters the picture and allows her to just be herself, Molly is suddenly able to flourish. As their student-teacher bond becomes more intimate, she begins putting herself on the line in unexpected ways while pursuing what she wants. But with each awkward, beautiful step towards an impossible romance, Molly risks alienating everyone she loves. Written by Molly Maxwell |
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| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Soundtracks | Don't Look At Me I Don't Like It See more » |
| Quotes |
Ben Carter:
You're something else, Molly Maxwell. Molly Maxwell: Is that a good thing? Ben Carter: No. You're like a hand grenade. See more » |