Rami Malek originally auditioned for the role of Sweetie, but the role went to Nate Parker. However director David Lowery was so impressed with Malek's audition that he decided to give him the small role of Will later in the film. See more »
When Bob is shot while in his parked truck, he stumbles out, leaving the driver side door open. While he returns fire and confronts his assailant, he bumps into the door, causing it to close. After killing assailant and turning to get back into truck, the door is open again. See more »
Every day I wake up thinking today's the day I'm gonna see you. And one of those days, it will be so. And then we can ride off to somewhere. Somewhere far away.
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David Lowery's Memorable & Courageous Period Piece
David Lowery has constructed a beautiful, atmospheric, little indie film with this 1970's Texas crime melodrama. At every point where Lowery could have added Hollywood flourishes and gimmicks to make the film more commercial he refuses to do so. The result is a thin crime & punishment type plot that functions as a canvas for this tone poem about passion and tragedy. I don't know if I could say there's anything ultimately redemptive about these sad, doomed characters but perhaps it's enough to say that they possess a degree of humanity that makes us pity them for the choices they've made. This is another triumph for Rooney Mara who is excellent as a strong, young woman who desires a better life and a man who can't get it for her. There's great irony in the way events turn out for her and it's all totally believable. I was also impressed with Casey Affleck's performance as her lover and small time criminal. In supporting roles there's Nate Parker as a friend of Affleck; Ben Foster's sympathetic police officer and Keith Carradine soaring as a town elder and father figure to Rooney and Affleck. "Ain't Them Bodies Saints" is a great looking picture and Bradford Young deserves all the praise he has earned for his cinematography.
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