| Photos (See all 15 | slideshow) |
| Keith Gilmore | ... | 30K | |
| Mark Ivanir | ... | Ghost Leader | |
| Chook Sibtain | ... | Pepper | |
| Chucky Venn | ... | Chuck (as Charles Venn) | |
| Karel Dobry | ... | Chevchenko | |
| Erich Redman | ... | Sokolov | |
| Nick Von Schlippe | ... | Dimitri | |
| Pavel Ledinsky | ... | MP | |
| Daniel Svoboda | ... | Lieutenant | |
| Radek Bruna | ... | Military policeman 1 | |
| Charlotte Rampling | ... | The Boss | |
| rest of cast listed alphabetically: | |||
| Timothy Gibbs | ... | Lt. Pearson | |
| Keith Gilmore | ... | 30 K | |
Directed by | |||
| François Alaux | |||
| Hervé de Crécy | |||
Writing credits(in alphabetical order) | ||
| François Alaux | ||
| Hervé de Crécy | ||
| Greg Pruss | ||
| Timothy J. Sexton | ||
Produced by | |||
| Joelle Caroline | .... | associate producer | |
| Yves Guillemot | .... | executive producer: Ubisoft Entertainment | |
| Harry Humphries | .... | associate producer: RSA London Unit | |
| Paul Kawasaki | .... | supervising producer: RSA | |
| Ben Link | .... | producer: RSA London Unit | |
| Tracie Norfleet | .... | executive producer: RSA | |
| Fady Salamé | .... | producer: Prague Unit | |
| Rhea Scott | .... | producer | |
| Ridley Scott | .... | producer | |
| Martin Sobotka | .... | line producer: Prague | |
| Frederic Thonet | .... | producer | |
Original Music by | |||
| Daniel Pemberton | |||
Cinematography by | |||
| Trent Opaloch | |||
Film Editing by | |||
| Pietro Scalia | |||
Casting by | |||
| Daniel Hubbard | |||
Art Direction by | |||
| Fay Greene | |||
Set Decoration by | |||
| Rob Cameron | |||
Costume Design by | |||
| Sammy Sheldon | |||
Makeup Department | |||
| Jana Dopitová | .... | makeup artist | |
| Jirina Jarosava Jitmarova | .... | assistant makeup artist | |
| Bartunkova Klara | .... | assistant makeup artist | |
Production Management | |||
| Denis Bedlow | .... | post-production supervisor | |
| Nicole Chybova | .... | production manager: Prague | |
| Lucy Kelly | .... | production manager: London | |
Art Department | |||
| Vejrostek Ales | .... | construction on-set standby | |
| Maxime Carnevale | .... | storyboard artist | |
| Marek Fancik | .... | construction manager | |
| Kristen Jan | .... | construction team | |
| Prochazka Jan | .... | construction team | |
| Machacek Jaroslav | .... | construction team | |
| Pavel Kolar | .... | construction team | |
| Pavel Lipert | .... | construction on-set standby | |
| Dite Lukas | .... | construction team | |
| Netik Lukas | .... | construction team | |
| Zachata Matej | .... | prop master | |
| Kuch Miroslav | .... | construction team | |
| Kudrna Petr | .... | construction team | |
| Petr Richter | .... | second props | |
| Hybes Roman | .... | first props | |
| Druba Standa | .... | construction on-set standby | |
| Sebastian Sue | .... | props tech | |
| Zuzana Svobodova | .... | art department coordinator | |
| Zbynek Trojan | .... | construction on-set standby | |
| Lorenc Vit | .... | construction team | |
| Audi Zdenek | .... | construction team | |
Sound Department | |||
| Christopher Assells | .... | sound effects editor | |
| Karen Baker Landers | .... | supervising sound editor | |
| Joe Barnett | .... | sound re-recording mixer | |
| John Bires | .... | audio engineer | |
| Kerry Ann Carmean | .... | sound effects editor (as Kerry Carmean Williams) | |
| Robert Deschaine | .... | adr mixer | |
| John Dunn | .... | sound effects editor | |
| Geoff Foster | .... | lead music mixer | |
| Nerses Gezalyan | .... | foley mixer | |
| Nerses Gezalyan | .... | sound mixer | |
| Gary A. Hecker | .... | foley artist | |
| Dan Hegeman | .... | sound effects editor | |
| Zack Howard | .... | mix technician | |
| Chris Jargo | .... | supervising adr editor | |
| Julien Martin | .... | french dubbing mixer | |
| Christian P. Minkler | .... | sound re-recording mixer | |
| Philip D. Morrill | .... | assistant sound editor | |
| Tony Negrete | .... | assistant sound editor | |
| Roman Seckar | .... | sound master | |
| John C. Stuver | .... | dialogue editor | |
| Jon Title | .... | sound effects editor | |
| Tami Treadwell | .... | adr recordist | |
| David Whittaker | .... | sound effects editor | |
| Klaus Wunder | .... | boom operator | |
| David Young | .... | audio engineer | |
Special Effects by | |||
| Robin Beavis | .... | special effects | |
| Caimin Bourne | .... | special effects | |
| Keith Dawson | .... | special effects | |
| Terry Flowers | .... | special effects | |
| Martin Kulhánek | .... | special effects coordinator | |
| Jacub Nierostek | .... | special effects | |
| Ty Senior | .... | special effects | |
| Steven Warner | .... | special effects supervisor | |
Visual Effects by | |||
| Mathias Barday | .... | character modeling | |
| Mathias Barday | .... | lighting | |
| Barthelemy Beaux | .... | compositing | |
| Olivier Blanchet | .... | compositing | |
| Thomas Bour | .... | digital conformation | |
| Nicolas Bruchet | .... | lighting | |
| Nicolas Bruchet | .... | texture artist | |
| Antoine Carlon | .... | visual effects supervisor | |
| Sarah Cauchois | .... | visual effects producer | |
| Marie Celaya | .... | animator | |
| Anne Chatelain | .... | animator | |
| Estelle Chiron | .... | rotoscopy | |
| Damien Climent | .... | animator | |
| Christophe Courgeau | .... | digital matte painting | |
| Henri Deruer | .... | lighting | |
| Julien Dias | .... | lead compositing artist | |
| Jérôme Foucout | .... | digital compositor: Mikros Image | |
| Yvan Galtié | .... | tracking/layout | |
| Benoit Gille | .... | datalab artist | |
| Frédéric Groetschel | .... | visual effects executive producer | |
| Daniel Guimard | .... | lighting | |
| Paul Perez Hahn | .... | visual effects producer: Daft Arts | |
| Marie Heine | .... | tracking/layout | |
| Cédric Hervet | .... | visual effects artist: Daft Arts | |
| Guillaume Ho Tsong Fang | .... | character modeling | |
| Philippe Huberdeau | .... | lead compositing artist | |
| Érick Hupin | .... | compositing | |
| Sophie Lagoutte | .... | mastering | |
| Sylvette Lavergne | .... | rotoscopy | |
| Jean-Baptiste Le Guen | .... | scan transfers | |
| Jacky Lefresne | .... | digital color grading | |
| Benjamin Lenfant | .... | digital effects | |
| Benjamin Lenfant | .... | lighting | |
| Magalie Léonard | .... | digital color grading | |
| Jérôme Martinez | .... | character modeling | |
| Julien Meesters | .... | head of studio | |
| Olivier Mitonneau | .... | texture artist | |
| Michael Moercant | .... | compositor: teaser | |
| Nathalie Paire | .... | motion designer | |
| Benjamin Pelletreau | .... | motion designer | |
| Eric Prebende | .... | animator | |
| Elisa Pretta | .... | compositor: teaser | |
| Nicolas Rey | .... | visual effects supervisor | |
| Stéphane Richez | .... | lead tracker | |
| Alexandre Rouil | .... | digital matte painting | |
| Alexandre Sauthier | .... | animator/rigger | |
| Stéphane Stradella | .... | compositing | |
| Simon Trouillet | .... | digital effects | |
| Vincent Venchiarutti | .... | motion designer | |
| Lorenzo Veracini | .... | tracking/layout | |
Stunts | |||
| Petr Bozdech | .... | stunts | |
| Radek Bruna | .... | stunts | |
| Pavel Cajzl | .... | stunt coordinator | |
| Pavel Dvorscik | .... | stunts | |
| Jan Holicek | .... | stunts | |
| Marek Jelinek | .... | stunts | |
| Jindrich Klaus | .... | stunts | |
| Miroslav Lhotka | .... | stunts | |
| Jan Loukota | .... | stunts | |
| Ivan Mares | .... | stunts | |
| David Motlicek | .... | stunts | |
| David Mottl | .... | stunts | |
| Jaroslav Psenicka | .... | stunts | |
| Tomás Tobola | .... | stunts | |
| Jan Vosmik | .... | stunts | |
Camera and Electrical Department | |||
| Karel Bastar | .... | electrician | |
| Jan Belohradsky | .... | electrician | |
| Ondrej Bocek | .... | gaffer | |
| Libor Bruha | .... | focus puller | |
| Link Danny | .... | still photographer | |
| Adam Fuchs | .... | video: making of | |
| Richard Havlicek | .... | key grip | |
| Dean Heselden | .... | camera operator | |
| Typlt Jiri | .... | cctv operator | |
| Bublik Jirka | .... | electrician | |
| Mariska Martin | .... | clapper / loader | |
| Novak Michal | .... | rigger | |
| Hynek Pantucek | .... | clapper loader | |
| Jirka Pospisil | .... | grip | |
| Vilem Randys | .... | video assistant | |
| Honza Rehanzl | .... | grip | |
| Marek Schnierer | .... | focus puller | |
| Vaclav Strozik | .... | best boy | |
| Roller Toma | .... | grip | |
| Petr Urbanek | .... | electrician | |
| Jiri Valenta | .... | rigger | |
| Kares Vasek | .... | focus puller | |
| Urbanek Vlada | .... | electrician | |
| Petr Vladyka | .... | clapper loader | |
| Gifford Hooper | .... | aerial cameraman (uncredited) | |
Costume and Wardrobe Department | |||
| Sophie Canale | .... | costume assistant | |
| Blacklocks Daniel | .... | costume assistant | |
| Jan Hrusa | .... | wardrobe assistant | |
| Maria Hubackova | .... | costume assistant | |
| Brown Robert | .... | costume assistant | |
| Martin Slaboch | .... | wardrobe assistant | |
| Clare Spragge | .... | costume assistant | |
| Nicole Young | .... | costume supervisor | |
Editorial Department | |||
| Arnaud Borges | .... | editorial services: Dum Dum Films | |
| Samuel Danési | .... | additional editor | |
| Mickael Dumontier | .... | additional editor | |
| Yoan Jacket | .... | editorial services: Dum Dum Films | |
| Robert Mead | .... | first assistant editor | |
| Damien Poncelin De Raucourt | .... | additional assistant editor | |
Music Department | |||
| Adam Miller | .... | assistant music mixer | |
| Daniel Pemberton | .... | music produced by | |
Other crew | |||
| Sue Field | .... | script supervisor | |
| Harry Humphries | .... | military advisor | |
| Paula Jack | .... | dialogue coach | |
| Vladimir Jambor | .... | production assistant | |
| Pavel Kovac | .... | location manager | |
| Adam Lane | .... | production coordinator: Little Minx | |
| Xavier Marquis | .... | game art director | |
| Vincent Maulandi | .... | post production assistant | |
| Frantisek Mesícek | .... | armourer | |
| Oleg Mirochnikov | .... | dialogue coach | |
| John Nixon | .... | armourer | |
| Barbara Sarochova | .... | production coordinator: Prague unit | |
| Roy Stratford | .... | armoury engineer | |
| Andrej Tichy | .... | production assistant | |
| Lukas Trantina | .... | production assistant | |
| Alexandra Vavrova | .... | dialogue coach | |
Thanks | |||
| Michael Costigan | .... | special thanks | |
| Michael Ellenberg | .... | special thanks | |
| Elia Infascelli-Smith | .... | special thanks | |
| Adam Lane | .... | special thanks | |
| Ridley Scott | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb USA section |
This was a blast and incredibly fun to watch -BIG THANKS TO THE BOYS IN CAMERA AND BEHIND!
It felt like watching some classic and tense action I had not seen in decades, reminded me of the SWAT series when I was a kid, but totally revamped and mixed with ROBOTECH...
People producing big budget action movies should take a few lessons from this. Forgert Rambo, never mind the Expendables -they ARE expendable indeed!
Movies like this, short or long, have been missing from the movie market for a long time. Even if you do a generic action movie, you have to nail the action and the suspense in the right blend so that even if you don't care about whats going on (a stolen nuke... again) at least you care about what happens to the characters -of whom, really, you just know they are some kind of special soldiers.
These people could do a modern remake of The Guns of Navarone and totally hit the mark -fast paced action and suspense, in a hight tech setting with an infiltration and assassination plot.
And I never liked the Ghost Recon games!