A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Unaware of the effect it will have on their relationship, they invite their pretty neighbor into their bed.
Joe continues to tell to Seligman the story of her life. Joe lives with Jerôme and their son Marcel and out of the blue, she loses sexual sensation in intercourse. Joe seeks kinky sex, perversions and sadomasochism expecting to retrieve her sex drive. Jerôme leaves home with Marcel and gives his son to a foster house for adoption. Then Joe is sent to therapy by her gynecologist but she does not admit that she is addicted to sex. Meanwhile Seligman tells Joe that he is virgin and helps her to understand her actions. Joe believes that Seligman is her friend, but is he? Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During the chapter The Mirror, after Seligman explains that the top of the diamond is called a mirror in some languages and Joe mentions he has a mirror on the wall, you can clearly see the camera and crew members reflected in it. You even see the camera move as it pans right. See more »
I think this was one of your weakest digressions.
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Near the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes were performed by body doubles." See more »
As much as the first part held a plot of the history and background of a sex addiction to some extent,Vol 6 just hurt my eyes and ears and bored me to sleep. The drastic images of self-abortion and self- inflicted pain, as well as the vulgar sex scenes; I am not a qualified psychologist/psychiatrist, but it all seems a little vague and improbable to me. It is sort of upsetting that a film spiked with such great cast (from Charlotte Gainsbourg, Shia LaBeouf, Uma Thurman, Stellan Skarsgaard and Willem Dafoe) brought such poor outcome. Changes between the young/old characters for Joe and Jerome did not work for me either - the plot lost out on even more of its scarce credibility. The film looks like a clueless mix of shocking images and cliché philosophical statement, and the poor, predictable and almost annoying finale made me want to score it a 1/10 initially.
Lars, we want more Melancholia and less of this.....
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