Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
In the near future, crime is patrolled by a mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
In a world divided by factions based on virtues, Tris learns she's Divergent and won't fit in. When she discovers a plot to destroy Divergents, Tris and the mysterious Four must find out what makes Divergents dangerous before it's too late.
Nicky Spurgeon is an extremely accomplished con man who takes an amateur con artist, Jess, under his wing. Nicky and Jess become romantically involved, and with Nicky's profession of being a liar and a cheater for a living, he realizes that deception and love are things that don't go together. They split, only to see each other three years later... And things get messy.
This is the first major Hollywood feature to be edited with Apple's Final Cut Pro X on Mac Pro. In December 2013, Neil W. Smith (Hollywood DI & LumaForge) spoke at the Digital Cinema Society forum dropping several hints as to the identity of a film being edited on FCPX including the studio, the multiple directors and the producer which ultimately add up to only one real possibility. See more »
The stake in "double or quits", as used in the superbowl scene, should not be twice the previous stake, it's the same as the previous stake. Being $X down, another stake of $X will leave you either $2X down on loss (double), or $0 down on victory (quits). Were the new stake to be twice, you'd end up either $3X down, or $X up. Both characters are inveterate gamblers, so shouldn't muddle their terminology so. See more »
Love'll get you killed in this racket. No place for that shit here. No happiness with that. You know how they say there's honor among thieves? Well, you're no thief, Mellow. You made your choice.
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No one had heard of Margot Robbie until 'The Wolf of Wall Street' came about. Now, it seems that every Director wants her in their film. How could they not; when she enthralled audiences everywhere with an exceedingly rare female role in a film. A character that is determined and strong willed. Don't get me wrong Robbie is entitled to further roles, I just cannot shake off the feeling that the Directors pulled off a con involving her, so that she could become the female lead in 'Focus'. It should be noted that never has a title had less relevance for a feature film. Because if anything the majority of this film is out of focus and you can include the script in that statement as well.
It's not all bad though. The first thirty minutes is entertaining. However, I mean this in a, if you leave your brain at home way. Don't think too much and you may have a blast, but that's only if you never use your brain during a film. If you do, then there's the door, I suggest you walk through it.
Nicky is a con artist played blandly yet again by Will Smith, who has only ever been well cast in a film once 'Men in Black'. He takes up Jess played by Margot Robbie mustering her acting talent and trying as hard as she did in 'The Wolf of Wall Street' to impress. She becomes his protégé, con artist and lover. They try to become romantically involved and it does not work out. Nicky eventually tracks her down to win back her affection and talent as a con artist.
Unfortunately, cracks in the film appear frequently, too large to brush aside and ignore. Consider the opening scene where Nicky tries to bed Jess. It works to his advantage and all of it happens according to his plan. But, we as an audience do not buy it. He barely knows the girl and not five minutes of chit chat has taken place, when they decide to get down to business. I know he is Will Smith and all. I'm sure he has women falling at his feet. But this seems rather far-fetched. Especially when this love turns out to be more than a one night stand and they are fully fledged romantically. The decisions that they partake seem rash, perhaps it was this lack of character development that led me to become distanced from the film in the process.
The script thinks it's very clever and is far too cock sure. This brings to mind another film about deception, trickery and cons. That made no sense at all in the slightest and was all too lacking when it came to character motivation and plausibility. 'Now You See Me'. Both of these films are firmly rooted in the nineties, with old jokes and plot twists so dumb it would have a toddler second guessing the events of the film. Another comparison to be made is that they both possess visual gleam. Take that away and they are just cheap parlour tricks to conceal their true identity.
If I am putting my points across to you again and again, then I'm sorry. But at least it parallels the repetitiveness of the film itself. What starts out as clever movements of characters who steal wallets and other personal belongings from random citizens grows tiresome quickly. Seen one con and you have seen them all. Don't get me going again about the romance that has been stamped on so that couples will flock to the cinema. Do we ever feel involved in their emotions? Do we feel for the characters? Do we in fact buy their romance at all for a second? The answer to all of them above is a definite no! The con clearly is on with 'Focus', not on the oblivious characters, but by and large on the audience themselves. How long can you watch the same old, same old trickery on screen that never changes? It drags and drags and drags. Gets old quickly see? Want a dull Will Smith? A flavourless story? Dumb plot twists that make no sense for a climax? You can have it all. Just do not expect witty dialogue, engaging scenes or interesting characters for that matter. Now excuse me while I burn all copies of the film.
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