Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
In the near future, crime is patrolled by a mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself.
Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
Nicky Spurgeon is an extremely accomplished con man who takes an amateur con artist, Jess, under his wing. Nicky and Jess become romantically involved, and with Nicky's profession of being a liar and a cheater for a living, he realizes that deception and love are things that don't go together. They split, only to see each other three years later... And things get messy.
Someone makes a joke to Jess about Australians being untrustworthy. Margot Robbie is Australian. See more »
The stake in "double or quits", as used in the superbowl scene, should not be twice the previous stake, it's the same as the previous stake. Being $X down, another stake of $X will leave you either $2X down on loss (double), or $0 down on victory (quits). Were the new stake to be twice, you'd end up either $3X down, or $X up. Both characters are inveterate gamblers, so shouldn't muddle their terminology so. See more »
I can convince anyone of anything. I once convinced a man that an empty warehouse was the federal reserve, so I'm good.
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The title "Focus" had potential among the quantitatively declining Con- Artist genre. Although brilliantly centered and set up with a decent cast and setting - the execution of intelligent criminal activity was poor and often justifying or explaining trickery and illusion as "he's just so good at it." - failing to satisfy the audience with an insight into the brilliance that is a con-centered plan.
I love heist movies. I love intricate con movies. I love crime movies and I'm sad to say this doesn't really come close to fitting anywhere between those genres best and brightest. Instead you're left feeling slightly amused, slightly tired, slightly relieved that it's over but kind of happy you saw it anyway - I dread to think how badly this movie would have been were it not for will smith.
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