In the near future, crime is patrolled by a mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself.
Five married guys conspire to secretly share a penthouse loft in the city--a place where they can carry out hidden affairs and indulge in their deepest fantasies. But the fantasy becomes a nightmare when they discover the dead body of an unknown woman in the loft, and they realize one of the group must be involved.
Erik Van Looy
Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
Navy SEAL sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
Nicky Spurgeon is an extremely accomplished con man who takes an amateur con artist, Jess, under his wing. Nicky and Jess become romantically involved, and with Nicky's profession of being a liar and a cheater for a living, he realizes that deception and love are things that don't go together. They split, only to see each other three years later... And things get messy.
Originally shot in the 2.35:1 scope aspect ratio, the film makers re-framed the film to 1.85:1 when they decided the flat frame suited the picture better. See more »
The stake in "double or quits", as used in the superbowl scene, should not be twice the previous stake, it's the same as the previous stake. Being $X down, another stake of $X will leave you either $2X down on loss (double), or $0 down on victory (quits). Were the new stake to be twice, you'd end up either $3X down, or $X up. Both characters are inveterate gamblers, so shouldn't muddle their terminology so. See more »
I can convince anyone of anything. I once convinced a man that an empty warehouse was the federal reserve, so I'm good.
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Smith and Robbie are terrific in sexy romantic thriller
Those that had to get Fifty Shades of Grey out of their system did so on opening weekend. Those who were curious did so the following weekend. Those that are going this weekend are probably just going to be drunks and guys who wear trench coats a lot (even in summer). We need a new adult romance now and Focus fits the bill, and also puts way more of an emphasis on the word "adult". It's also a return to form for Will Smith, looking for a boost after that After Earth debacle in 2013. He's still every bit the playa we want him to be in a movie directed by Glenn Ficcara and John Requa (Crazy, Stupid, Love) that has a stylish sexiness in almost every scene.
Smith plays Nicky, the kind of confident, well dressed mystery man who doesn't seem to mind eating at a fancy restaurant alone. He's approached by Jess (Margot Robbie), they get to talking, and soon they're both going back to his hotel room. It's a con but Jess is an amateur, leading to a scene of sly humor that Smith plays to perfection. But Jess wants to learn how to "dance in the dark" as Nicky puts it and so after learning a few tricks from him, she follows him to New Orleans where she finds herself a member of his team of pickpockets. Through sleight of hands and various scams, Nicky has a whole network of people focusing on gambling, credit card fraud, tricking adulterous married dudes and more. They clean up, which is part of the fun.
This movie is all about being smooth and it revels in that almost as much as it does in the beauty of its two stars and the vibrancy of the place they're in. New Orleans, from Mardi Gras to a casino to the Superdome, supplies a perfect backdrop as these two get frisky and flirty with each other. They have great chemistry, it's sexy but shows just the right amount of restraint for two people who are into each other but can't risk distraction in their line of work. By far the best scene in the movie though comes when Nick bets with an Asian businessman (an excellent B.D. Wong) during a football game. It's crazy just how out of control it gets and it ends awesomely.
The movie can only go downhill from a scene as audacious as this and it does. Nicky and Jess suddenly go separate ways only to reunite three years later in Argentina where Nicky is helping out a grand prix owner (Rodrigo Santoro) that Jess just happens to be dating. Do these two share real feelings or is one or both just playing the other? Who knows, but we're pretty sure that Ficarra and Requa lose the playful spark between these two in Argentina and there's an ending plot twist that I'm not sure really works. Gerald McRaney has a few good scenes as a hard-ass, suspicious bodyguard here but it's Smith, playing a guy with a gift of gab, and Robbie, a beauty with not just a great smile but also poise, charm, and humor, who keep Focus afloat even when the movie doesn't seem quite sure of itself.
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