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Brooklyn (2015)

PG-13 | | Drama, Romance | 25 November 2015 (USA)
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An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.

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Writers:

(screenplay), (novel) (as Colm Toibin)
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151 ( 26)
Nominated for 3 Oscars. Another 30 wins & 139 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Priest (as Father Matt Glynn)
Brid Brennan ...
Miss Kelly
...
Mary
Emma Lowe ...
Mrs Brady
...
Shabby Woman
...
Timid Woman
...
Rose Lacey
Jane Brennan ...
Mary Lacey
...
Peter Campion ...
George Sheridan
...
Georgina
James Corscadden ...
Ship Waiter
...
...
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Storyline

In late 1951, Eilis Lacey, a young Irish girl, emigrates to Brooklyn. Sponsored by Father Flood, a priest from her native town Enniscorthy, she is assured to find a full-time job there. But the early days are tough, seasickness being soon replaced by loneliness and homesickness, two feelings all the more acutely felt by Eilis for having had to leave behind her widowed mother and her dear sister Rose. She nevertheless little by little manages to find her footing by adapting to her job as a salesgirl, by studying bookkeeping at Brooklyn College as well as with a little help from both Father Flood and Mrs. Kehoe, the owner of the boarding school she now lives in. And not only does graduation follow but love shows its face in Tony, an Italian-American plumber, full of adoration and respect for her. They end up marrying, although keeping the thing secret. It is at that point that tragedy strikes inciting Eilis to return to Enniscorthy to support her mother morally. And there a strange ... Written by Guy Bellinger

Plot Summary | Plot Synopsis

Taglines:

Two countries, two loves, one heart.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG - 13 for a scene of sexuality and brief strong language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Language:

Release Date:

25 November 2015 (USA)  »

Also Known As:

Brooklyn: Un amor sin fronteras  »

Filming Locations:

 »

Box Office

Opening Weekend:

$187,281 (USA) (6 November 2015)

Gross:

$38,317,535 (USA) (20 May 2016)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Irish author Colm Tóibín's idea for the novel came from a child memory, in which he overheard a woman talk about her young daughter's move from Enniscorthy to Brooklyn. In 2000 he wrote a short story about this memory, but expanded it to a novel years later, after living in United States himself, as well as teaching literary courses, where he said he was inspired by Jane Austen's "method of examining a single psychology, using an introspective, sensitive heroine, some comic characters and some romance." See more »

Goofs

In the final shooting script the scene quickly fast forwards during the meal. By this point the main course would be different than the Spaghetti they were eating initially. See more »

Quotes

[first lines]
Eilis: Miss Kelly wants to talk to you later.
Mary Lacey: Not if what you're going to say will cause trouble for me in some way or another.
Eilis: [sighs]
See more »

Connections

Featured in Film 2016: Episode #44.8 (2015) See more »

Soundtracks

Silver Threads
Written by H.P. Danks (as Hart Pease Danks)
Performed by John McCormack
Licensed courtesy of Naxos Rights US, Inc.
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Frequently Asked Questions

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User Reviews

 
Everything a Nicholas Sparks Movie Wishes It Was

Often movies have a magical quality as you're viewing them. Some will demand your undivided attention, others will hypnotize your senses, leaving them to simply wash over you with their exuberance and classic filmmaking procedures. In the case of John Crowley's "Brooklyn," the latter is certainly the case. There comes a moment in the film when you are taken in by the film's classic style filmmaking, and tenderly thought-provoking performances from its cast. Director Crowley, in partnership with Oscar-nominated scribe Nick Hornby, create a beautiful and sensitive love story that is everything a Nicholas Sparks film adaptation wishes it could be. With a vibrant turn from Academy Award nominee Saoirse Ronan at the helm, "Brooklyn" utilizes all of its tools in its arsenal to convey a potent message of love and family.

"Brooklyn" tells the story of Ellis Lacey (Ronan), who in 1950s Ireland and New York, has to choose between two men and two countries. One is the charismatic Italian plumber Tony (Emory Cohen) while the other is the reserved yet sensitive Jim Farrell (Domhnall Gleeson). Both are making a case for Ellis' love.

The film is helmed with a strong and undeniable confidence from Saoirse Ronan. Feeling the internal battle just pouring out of her in nearly every sense and every scene, Ronan finds Ellis' struggle and wears it on her sleeve. She doesn't just have fear of choice, she goes through a barrage of emotions, and we actively see the character progress in each milestone that she hits throughout. It begins with the yearning and devastating separation from her family in Ireland, before gradually being brought to a yearn for acceptance in a new city. Her mild but rewarding progression into comfort and confidence is shown before being abruptly ripped away when tragedy strikes. Every instance is felt in Ronan's work, all of which is authentically true and vivaciously real. It's one of her best turns, and further proof that her name will be on our lips for quite some years.

After breaking out with a scene-stealing turn in Derek Cianfrance's "The Place Beyond the Pines," Emory Cohen shows his sensitive and charming side of his range, resulting in an equally measured and tantalizing performance to his co-star. Don't sleep on this kid. Domhnall Gleeson's reservations to Jim Farrell is haunting in a role that doesn't call for many words or emotions. You can see the ache and pain in his movements, desperate for love and an overwhelming feeling of being lost. In a few scenes, Julie Walters as Mrs. Kehoe sustains as a surprisingly comic relief in a very serious drama. Her stoic, passive demeanor is such a treat to watch in her scenes of interaction with the girls of the boarding house in which Ellis is staying.

Screenwriter Nick Hornby constructs the story with real life emotion, taking very few short cuts for its characters. He allows Ellis' feelings to make the journey in each instance in which she faces them. The foundation of Tony and Ellis is honest, and rings true as something we'd see in any instance within our own lives. Where he really shines in the connection between Ellis and her family. Thousands of miles away, and with little interaction on screen, you are heartbroken and pulled through the ringer as Ronan exemplifies the loss of her family and determination to see them once again. If there is a chink in Hornby's armor, it's the case he creates for the audience for Ellis to stay in Ireland. Up until the second half of the film, Hornby makes his case for New York, I'd only wish he made a more compelling case for Ireland, giving the audience a more fruitful and difficult dilemma in making their own decision about where Ellis should be.

One must acknowledge how impeccably constructed the film is from head to toe. Crowley assembles a dynamite team behind the camera, who all standout in their own right. Cinematographer Yves Bélanger, with a yellow hue and soft palate, capture the country and the city to stunning results. He frames each scene intimately, capturing the heart and emotion of every word spoken. Production Designer François Séguin and Set Decorator Suzanne Cloutier capture the 50's homes as if plucked from the time period themselves, along with transporting us to a foreign land we can only dream to visit. Odile Dicks- Mireaux's magnetic costume work elevates each performance, allowing the actors to fully engage with their characters and the time. And finally, the music of Michael Brook is a breathtaking swell of emotion, creating moments that will surely bring you to tears.

"Brooklyn" is a damn fine movie, following all the classic beats that we've grown to love about the most timeless love stories. "Brooklyn" will join the ranks of those timeless stories in the coming years. It's a joyful and heart aching film that stands as one of the year's best, and a sure-fire contender for several Academy Awards.

Read more @ (http://www.awardscircuit.com)


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What if the gossipy old lady had not found out that Eilis was married? goatcabin-2
Couldn't root or sympathize for Eilis after the (second) Ireland section lastdodobird
Jim vs. Tony annie137
Disparity in lead actors physical dimensions tk-williamson
Rank The Best Picture Nominees - From Best To Worst Henki-Arvet
Explain why "Brooklyn" is as good as it is? Con-Deuce
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