High schooler Greg, who spends most of his time making parodies of classic movies with his co-worker Earl, finds his outlook forever altered after befriending a classmate who has just been diagnosed with cancer.
At a foster-care facility for at-risk teenagers, Grace is a young counselor trying to do her best for kids who often have been pulled from the worst kinds of home situations. Even then, life is not easy as Grace and her colleagues care for kids who are too often profoundly scarred, even as they try to have lives of their own. Now, things are coming to a head as Grace readies for marriage even as some her charges are coming to major turning points in their lives. To cope, Grace will have to make difficult perceptions and decisions that could put her career, and more importantly her charges, at dire risk. Written by
Kenneth Chisholm (email@example.com)
The song featured in the film, "So You Know What It's Like," was originally written by writer/director Destin Daniel Cretton and then re-written by Lakeith Stanfield, who is also a rapper and sings the song in the film, in an attempt to incorporate his own experience as a child into the song and make it more effective. See more »
While Jayden is waiting for her father, she does her makeup (eyeliner around her eyes). After her father fails to come get her, she runs into her room, and after a scuffle, is pinned down by Nate, Grace and Mason. At this point, there is no makeup on or around her eyes. See more »
So, 3 years ago, right, we have this girl here named Liza Green. She's 17,older than everybody else on the unit at the time, and I don't mean this in a pervy way or anything, but she's real pretty.
She was gorgeous.
All the guys on the unit want her but she won't give any of them the time of day because she was busy. She was always studying.
She was very smart. Mmm-hmm.
Really smart. So, two weeks before she turns 18 and leaves, we get this new intake. It's a 15 year old guy. He's really tough....
[...] See more »
A passionate and powerful film headlined by Brie Larson's terrific performance.
At its core, Short Term 12 is a film about kids looking after kids. That youthful always-learning energy gives it a warmth and sincerity that's extremely endearing and a joy to watch these vulnerable and intriguing characters. It's about outcasts fitting in together and finding their place making it relatable for whenever you've felt alone and brings in a welcoming sense of community. It's Brie Larson's protagonist Grace who heads the entire ensemble on her shoulders. She gives a heartfelt performance, tough on the outside, swirling chaos on the inside, and she's able to get that on screen and develop it in every scene. In the way she is written, she shows the value of a nurturing character and how that can get the audience's sympathy regardless of any negative behaviour. The screenplay is terrific, juggling its arcs very efficiently and delivering comedy and drama in equal doses.
It can get too comical or sentimental at times but its overall maturity cancels it out. With its hand-held photography, it has a raw aesthetic that cuts through potential contrivances and predictability and gives it an involving sense of authenticity. The majority of the scenes are long and dialogue driven, often reflecting on short sharp outbursts or telling stories within the story be it an anecdote, rap or children's story read aloud. It provides an ideal pace and length it to feel brisk yet able to breathe and feel like a fulfilling 90 minutes. It's a film about catharsis and connection after deep repression, and the fact it's about young people makes the tragedies hurt more and the sense of hope more touching. It does have a bad habit of using the cliché of misplaced anger a bit too often, where a character furious at someone will instead hit those closest to them, but the deep rooted empathy for these characters allows those moments to feel at least somewhat justified as we feel that intense release with them.
The supporting performances are also fantastic, characters that although may follow a convention feel like they're coming from a genuine place. It's not often that a film like this would start its story with a relatively optimistic relationship as that dials down the potential for conflict, but John Gallagher Jr. and his chemistry with Larson makes it one we love watching and dread that moment where it inevitably goes wrong. Keith Stanfield is a standout from the younger crowd of actors whose powerful tenderness constantly gave me chills and Kaitlyn Denver who navigates around cliché and provides an earnest and passionate performance. Short Term 12 knows its deck has familiar cards, but it plays them just right. It's nice to have a film that knows that an original perspective is more engaging than original content. Despite its flaws, it's a really great emotional film and definitely the type of film I'd love to make.
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