High schooler Greg, who spends most of his time making parodies of classic movies with his co-worker Earl, finds his outlook forever altered after befriending a classmate who has just been diagnosed with cancer.
At a foster-care facility for at-risk teenagers, Grace is a young counselor trying to do her best for kids who often have been pulled from the worst kinds of home situations. Even then, life is not easy as Grace and her colleagues care for kids who are too often profoundly scarred, even as they try to have lives of their own. Now, things are coming to a head as Grace readies for marriage even as some her charges are coming to major turning points in their lives. To cope, Grace will have to make difficult perceptions and decisions that could put her career, and more importantly her charges, at dire risk. Written by
Kenneth Chisholm (email@example.com)
Winner of the Audience Award at the 2013 SXSW Film Festival in the narrative feature category. See more »
While Jayden is waiting for her father, she does her makeup (eyeliner around her eyes). After her father fails to come get her, she runs into her room, and after a scuffle, is pinned down by Nate, Grace and Mason. At this point, there is no makeup on or around her eyes. See more »
Grace. Where are you going?
I can't do that.
Ok. Let's go. Let's go. I'll drive us home.
I don't wanna go home. It's not what I'm talking about.
I know it's been a really fucked up day, okay?
Mason, you have no idea what I'm going through right now.
Then tell me. That's how this works. You talk to me about it so that I can take your hand and fucking walk through this shit with you. That is what I signed up for, okay? But I cannot do that if you won't let me in.
I can't. I'm sorry.
[...] See more »
It's rare that a film moves you to tears and in the next moment makes you belly laugh, all within a context of a very real, grounded story.
This film has some of the strongest writing, acting, and directing I've seen in American cinema since American Beauty was released. Subtle, incredibly deep, and full of unsentimental heart and compassion. It's about people who have been damaged by the people who are supposed to protect them the most: their parents. And it's not just about that. It's about how the human spirit can, with care and respect, somehow sustain after such darkness. It's about real love.
This film is why I go to the movies. This film is why I've made my livelihood movies. Bravo Mr. Cretton and everyone involved with the film. I wish you nothing but the best.
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