A group of children living on the street leave their gang, prompting retribution from the gang's leader. After one of the children dies, the rest try to come up with the resources to give their friend a proper burial.
Two childhood friends, Karim and Adil, prowl the streets of Casablanca, their native city. They do not do much, in fact they hustle rather than work. They are also unashamed dreamers, Karim... See full summary »
In Casablanca, Ali, Hmida, Mbarek and Messoud are four unemployed youths who spend their time dreaming of a better life in the Netherlands. One day, Hmida falls on a specialist of illegal ... See full summary »
Tells the story of the complex relationship between an Israeli Secret Service officer and his teenage Palestinian informant. Shuttling back and forth between conflicting points of view, the... See full summary »
Powerful tale of the evolution of young boys into suicide bombing terrorists
Based on the real multiple bombings that took place on May 16, 2003 in Casablanca, Morocco, the film follows its main characters over a period of 10 years, as they transition from boys to young men.
There's a lot that's powerful here, and there is much that has the ring of truth in this journey into darkness. But compared to (for example), Hany Abu-Assad's more complex and richer 'Paradise Now' there's also something a bit schematic. The reasons behind the transformation of these once sweet young men into bombers poverty, hopelessness, an overly macho culture are certainly true, but they're also familiar. It doesn't quite feel like we're digging deeper into their souls.
I also wish the villains of the piece, both Jihadist and 'civilian' were a little less on-the-nose, a little less mustache twirling. In terms of those men who are recruiting the boys, I missed the charisma that I assume must be part of the recruitment process.
Much like Ayouch's earlier 'Ali Zoaua: Price of the Streets', also about middle -eastern street kids, while the film is intelligent and interesting, it feels like it should be even more emotionally devastating than it ultimately is. That said, it's good enough that I could imagine re-visiting it, and seeing if it pulls me in even deeper on a second viewing.
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