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The Great Beauty (2013)
"La grande bellezza" (original title)

Not Rated  |   |  Drama  |  14 March 2014 (USA)
7.7
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Ratings: 7.7/10 from 42,858 users   Metascore: 86/100
Reviews: 111 user | 266 critic | 29 from Metacritic.com

Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.

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Title: The Great Beauty (2013)

The Great Beauty (2013) on IMDb 7.7/10

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Won 1 Oscar. Another 61 wins & 59 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
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Ramona
...
Lello Cava
Iaia Forte ...
Trumeau
Pamela Villoresi ...
Viola
Galatea Ranzi ...
Stefania
Franco Graziosi ...
Conte Colonna
...
Stefano
...
Alfio Bracco
Sonia Gessner ...
Contessa Colonna
Anna Della Rosa ...
Ragazza esangue
Luca Marinelli ...
Andrea
...
Lorena
Ivan Franek ...
Ron Sweet
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Storyline

Journalist Jep Gambardella has charmed and seduced his way through the lavish nightlife of Rome for decades. Since the legendary success of his one and only novel, he has been a permanent fixture in the city's literary and social circles, but when his sixty-fifth birthday coincides with a shock from the past, Jep finds himself unexpectedly taking stock of his life, turning his cutting wit on himself and his contemporaries, and looking past the extravagant nightclubs, parties, and cafés to find Rome in all its glory: a timeless landscape of absurd, exquisite beauty. Written by Jon Mulvaney

Plot Summary | Plot Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

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Release Date:

14 March 2014 (USA)  »

Also Known As:

A Grande Beleza  »

Filming Locations:

 »

Box Office

Budget:

€9,200,000 (estimated)

Opening Weekend:

$23,442 (USA) (15 November 2013)

Gross:

$2,835,886 (USA) (11 April 2014)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In an interview conducted by the Italian radio station Radio 2, Paolo Sorrentino claimed that, at some point during production, he was considering to call the film "L'Apparato Umano". "L'Apparato Umano" also is the title of the fictional novel written by the protagonist of the film, Jep Gambardella, played by Toni Servillo. See more »

Quotes

Jep Gambardella: The trains at our parties are the best in Rome. They're the best cause they go nowhere.
See more »

Connections

Featured in The EE British Academy Film Awards (2014) See more »

Soundtracks

Symphony No. 3, Op. 36 'Of Sorrowful Song': III. Lento - Cantabile Semplice
Composed by Henryk Mikolaj Górecki
Performed by London Sinfonietta and Dawn Upshaw
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Frequently Asked Questions

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User Reviews

 
A Masterpiece.
14 September 2013 | by (Derry, Ireland) – See all my reviews

Italian cinema is, at last, on a roll again. Perhaps not in the same way as when Rossellini, Visconti, Fellini and De Sica were batting masterpiece after masterpiece into the arena but maybe more prodigiously than at any time since the young Olmi and young Bertolucci were setting the screen alight. In recent years we have had Michelangelo Frammartino's "Le Quattro Volte", Gianni De Gregorio's sublimely gentle comedies "Mid-August Lunch" and "The Salt of Life" and, perhaps best of all, the films of Paolo Sorrentino whose "The Consequences of Love", "The Family Friend" and "Il Divo" were highly original and sufficiently off-the-wall to invite comparisons with Fellini. His one venture into English-language cinema, "This Must be the Place", met with a largely hostile reception from critics who accused him of being self-indulgent but I found the film to be gorgeous and quirky and just what I would have expected from so idiosyncratic a talent. And now we have "The Great Beauty", a return to Italy and a return to, what his critics might see as, earlier form.

This film, too, has been compared to Fellini which is entirely appropriate as this is a "La Dolce Vita" for the 21st century. You can even imagine the film's central character, Jeb, as Marcello, older if hardly wiser and for Sorrentino nothing much has changed. But if this is Sorrentino in Fellini mode it's just as close to the beauty and spectacle of "Amarcord" or, more appropriately, "Juliet of the Spirits". Once again the lead is taken by Toni Servillo, who was Sorrentino's Andreotti in "Il Divo" and once again he confirms his position as one of the cinema's finest actors, heading a truly superb ensemble cast.

As in "La Dolce Vita" there is no real 'story' but rather a series of episodes in the life of Jeb in the days following his 65th birthday, (his birthday party is the first of the film's many great sequences). If there is a theme it's Jeb's increasing disillusionment with the lifestyle he has associated himself with over the years, a lifestyle he is very reluctant to give up, no matter how pragmatically he views it. He is a man who has had many women but no real relationship to speak of, (the early love of his life married someone else). He meets the daughter of an old friend, a 42 year old stripper with a drug habit, and they strike up a relationship of sorts though when they go to bed together he is happy when they don't have sex. He gets sustenance from his friends although he can be cutting and abrasive in their presence. It seems as it is they, and not money or power, which keeps him going.

This is a magnificent movie, the kind of film that you know is being composed, frame by gorgeous frame, by a master film-maker. It is a breathtaking melange of sound and images, of great performances and superlative dialogue that draws you in and holds you from its first shot to its last. Some directors open their films with great tracking shots but Sorrentino saves his to the end, up, over and under the bridges of the Tiber as the final credits roll. Don't leave the cinema to the very last second.


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