Irene, nicknamed 'Honey', has devoted herself to people looking for help, and tries to alleviate their suffering, even when they make extreme decisions. One day she has to cope with ...
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Painful family events lead Augusta to leave Italy. On a small boat, immersed in the Amazon Forest grandness, she begins a travel between Indios villages. From the favela to the isolation in the Forest, Augusta will go in search of herself.
Forty-something Irene had a dream job that made her life easy: she was indeed a luxury hotel inspector and her work got carried out in a wonderful ever-renewed setting, from Paris to Gstaad... See full summary »
Thirteen year-old Marta has recently moved back to southern Italy with her mother and older sister and struggles to find her place, restlessly testing the boundaries of an unfamiliar city and the catechism of the Catholic church.
Jenny is seventeen and dreams of becoming a synchronized swimmer, but her carefree adolescent life in Ostia, a seacoast town near Rome, is shaken by the sudden death of her mother. With a ... See full summary »
Piera Degli Esposti,
Irene, nicknamed 'Honey', has devoted herself to people looking for help, and tries to alleviate their suffering, even when they make extreme decisions. One day she has to cope with Grimaldi and his invisible malaise. Written by
Human interest drama that treats the viewer as an intelligent being
'Honey' is an Italian/French co-production about euthanasia. A young woman (Jasmine Trinca, who has absolutely gorgeous eyes) helps those seriously ill people who wish to end their suffering to do so. She does this work because she believes it is the right thing to do, although she's no campaigner. But her self-confidence is challenged by Grimaldi (Carlo Cecchi), a middle-aged man who requests her help to die not because he is suffering, but simply because he is tired of life. A relationship of - perhaps - mutual fascination forms between the pair as Honey tries to understand Grimaldi's choice and to convince him to change his mind, while Grimaldi stubbornly insists the whys and wherefores are none of her business - he simply wants to employ her to help him die.
Trinca does well in her leading role, convincing in a detachment that gradually turns into greater emotional involvement in what she's doing. In his role as 'grouchy old man', Cecchi is offered less scope. The film does not seem to judge whether euthanasia is right or wrong, but allows the viewer to make up his/her own mind. The ending is perhaps needlessly soppy, but done in a thankfully low-key way. All-in-all, well worth seeing.
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