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Jobs (2013)

PG-13 | | Biography, Drama | 16 August 2013 (USA)
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The story of Steve Jobs' ascension from college dropout into one of the most revered creative entrepreneurs of the 20th century.

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2,194 ( 341)
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Bill Fernandez
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Paul Jobs
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Gil Amelio
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Bill Atkinson
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Chris Espinosa
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Storyline

The story of Steve Jobs' ascension from college dropout into one of the most revered creative entrepreneurs of the 20th century.

Plot Summary | Add Synopsis

Taglines:

Some see what's possible, others change what's possible.

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some drug content and brief strong language | See all certifications »

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Details

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Release Date:

16 August 2013 (USA)  »

Also Known As:

Jobs  »

Filming Locations:

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

$6,713,900 (USA) (16 August 2013)

Gross:

$16,117,443 (USA) (27 September 2013)
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Company Credits

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film focuses primarily on 1973 - 2000: Apple's early years, its founding, and the up and down years. See more »

Goofs

When Jobs and Wozniak are talking one night in the 1980s office conference room, some of the U-Matic video tape cases behind Jobs have label designs that would date them well after the events of the movie. See more »

Quotes

Steve Jobs: [narrating] When you grow up, you tend to get told the world is the way that it is, and your life is just to live your life inside the world and try not to bash into the walls too much. But that's a very limited life. Life can be much broader once you discover one simple fact. And that is that everything around you that you call life, was made up by people that are no smarter than you. And you can change it. You can influence it. You can build your own things that other people can use. To shake ...
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Soundtracks

Shine On Me
Performed by Matthew Cheadle
Written by Matthew Cheadle
Courtesy of Atrium Music
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Frequently Asked Questions

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User Reviews

 
"Jobs" is a biopic with a very narrow focus, and without any sense of risk or adventure.
16 August 2013 | by (United States) – See all my reviews

Joshua Michael Stern's "Jobs" is like an assembly line for the best moments in the career of Steve Jobs, but seriously lacking in depth, and without much significance. It is a truly unremarkable biopic of the "master of innovation" as you could possibly imagine. "Jobs" follows an overly safe, unimaginative course that clocks in at a tiresome 122 minutes. The storytelling is painfully straightforward, covering only the principal events of his professional trials and tribulations, and providing little else beyond what is already public knowledge.

Developing his imagination for computer programming at Atari, Steve Jobs (Ashton Kutcher) brings in his friend Steve Wozniak (Josh Gad) to help with the hardware aspect, forming a partnership that would soon lead to the founding and development of Apple Computers, a force within the industry throughout the 1980s. Steve is not prepared for the financial demands and the ruthless business mentality, and is eventually forced out of the company he began, only to return in the 1990s with a fresh game plan on how to bring Apple back into the public consciousness, and to dominate the industry once again.

"Jobs" is a biopic with a very narrow focus, and without any sense of risk or adventure. It is so intent on covering Jobs' entire corporate career, that it simply reduces his personal life to a footnote. Stern completely glosses over Jobs' personal life, which is essential to any self-respecting biopic. The entire production feels rushed and slapped together simply to benefit from being the first one out of the gate.

To his credit, Kutcher puts forth a good effort, and he undeniably looks the part of Steve Jobs. Unfortunately, Ashton always looks like he is trying too hard to play the part, and never fully becomes the character he's portraying. His limitations on the big screen prove to be a major liability. He has developed a screen persona as likable character, which has served him well with numerous TV sitcoms. Not so much with movies.

What emerges is a movie that has "a made for TV" feel, which depicts a self-absorbed creep who stabs everyone in the back to simply to get his way that goes on for two plus hours. A thoroughly unsatisfying tribute, and we are still left none the wiser as to what made "The Father of the Digital Revolution" beyond what we already know.


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