Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter. The story unfolds backstage at three iconic product launches, ending in 1998 with the unveiling of the iMac.
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
In less than three years, this story of Steve Jobs and his meteoric rise to the forefront of technological history was re-told by Danny Boyle in Steve Jobs (2015), with Michael Fassbender in the titular role, and released to much wider critical acclaim. See more »
When Jobs returns to Apple in 1996, a silver second-generation Mercedes-Benz Sprinter passenger van is seen outside the headquarters. The second generation entered production in 2006, and the vans did not begin to be seen around Infinite Loop and Cupertino until at least 2010. See more »
"Jobs" is a biopic with a very narrow focus, and without any sense of risk or adventure.
Joshua Michael Stern's "Jobs" is like an assembly line for the best moments in the career of Steve Jobs, but seriously lacking in depth, and without much significance. It is a truly unremarkable biopic of the "master of innovation" as you could possibly imagine. "Jobs" follows an overly safe, unimaginative course that clocks in at a tiresome 122 minutes. The storytelling is painfully straightforward, covering only the principal events of his professional trials and tribulations, and providing little else beyond what is already public knowledge.
Developing his imagination for computer programming at Atari, Steve Jobs (Ashton Kutcher) brings in his friend Steve Wozniak (Josh Gad) to help with the hardware aspect, forming a partnership that would soon lead to the founding and development of Apple Computers, a force within the industry throughout the 1980s. Steve is not prepared for the financial demands and the ruthless business mentality, and is eventually forced out of the company he began, only to return in the 1990s with a fresh game plan on how to bring Apple back into the public consciousness, and to dominate the industry once again.
"Jobs" is a biopic with a very narrow focus, and without any sense of risk or adventure. It is so intent on covering Jobs' entire corporate career, that it simply reduces his personal life to a footnote. Stern completely glosses over Jobs' personal life, which is essential to any self-respecting biopic. The entire production feels rushed and slapped together simply to benefit from being the first one out of the gate.
To his credit, Kutcher puts forth a good effort, and he undeniably looks the part of Steve Jobs. Unfortunately, Ashton always looks like he is trying too hard to play the part, and never fully becomes the character he's portraying. His limitations on the big screen prove to be a major liability. He has developed a screen persona as likable character, which has served him well with numerous TV sitcoms. Not so much with movies.
What emerges is a movie that has "a made for TV" feel, which depicts a self-absorbed creep who stabs everyone in the back to simply to get his way that goes on for two plus hours. A thoroughly unsatisfying tribute, and we are still left none the wiser as to what made "The Father of the Digital Revolution" beyond what we already know.
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