Two salesmen whose careers have been torpedoed by the digital age find their way into a coveted internship at Google, where they must compete with a group of young, tech-savvy geniuses for a shot at employment.
His passion and ingenuity have been the driving force behind the digital age. However his drive to revolutionize technology was sacrificial. Ultimately it affected his family life and ... See full summary »
While living with his adoptive parents, Jobs is working for 'Atari'. He then, develops a partnership with his friend Steve Wozniak when he sees that Wozniak has built a personal computer (the Apple I). They name their new company 'Apple Computer' and starts building Apple I computers. After many failed attempts by Jobs to gain venture capital, Mike Markkula invests in the company which allows them to move forward. Written by
When Jobs takes a calligraphy class, he is drawing ones and zeros, the basis for binary code. See more »
Steve Jobs and Steve Wozniak meet in the conference room the night before the IPO. When Wozniak gets up to leave the room, the notepad is on the table to Wozniak's right, with another piece of paper next to it. In the next shot, only the notepad is there. See more »
Get your shit and get out! You're done.
What? Are you gonna fire me?
No! I ALREADY FIRED YOU!... Why are you still here?
Steve, he, he was our best programmer in the division.
He's the best programmer that doesn't care about our vision.
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You Can Do (Whatever)
Performed by Cat Stevens (aka Yusuf islam)
Written by Cat Stevens (aka Yusuf islam)
Courtesy of TILLERMANAGEMENT FZ LLC
By arrangement with BMG Rights Management (US) LLC See more »
"Jobs" is a biopic with a very narrow focus, and without any sense of risk or adventure.
Joshua Michael Stern's "Jobs" is like an assembly line for the best moments in the career of Steve Jobs, but seriously lacking in depth, and without much significance. It is a truly unremarkable biopic of the "master of innovation" as you could possibly imagine. "Jobs" follows an overly safe, unimaginative course that clocks in at a tiresome 122 minutes. The storytelling is painfully straightforward, covering only the principal events of his professional trials and tribulations, and providing little else beyond what is already public knowledge.
Developing his imagination for computer programming at Atari, Steve Jobs (Ashton Kutcher) brings in his friend Steve Wozniak (Josh Gad) to help with the hardware aspect, forming a partnership that would soon lead to the founding and development of Apple Computers, a force within the industry throughout the 1980s. Steve is not prepared for the financial demands and the ruthless business mentality, and is eventually forced out of the company he began, only to return in the 1990s with a fresh game plan on how to bring Apple back into the public consciousness, and to dominate the industry once again.
"Jobs" is a biopic with a very narrow focus, and without any sense of risk or adventure. It is so intent on covering Jobs' entire corporate career, that it simply reduces his personal life to a footnote. Stern completely glosses over Jobs' personal life, which is essential to any self-respecting biopic. The entire production feels rushed and slapped together simply to benefit from being the first one out of the gate.
To his credit, Kutcher puts forth a good effort, and he undeniably looks the part of Steve Jobs. Unfortunately, Ashton always looks like he is trying too hard to play the part, and never fully becomes the character he's portraying. His limitations on the big screen prove to be a major liability. He has developed a screen persona as likable character, which has served him well with numerous TV sitcoms. Not so much with movies.
What emerges is a movie that has "a made for TV" feel, which depicts a self-absorbed creep who stabs everyone in the back to simply to get his way that goes on for two plus hours. A thoroughly unsatisfying tribute, and we are still left none the wiser as to what made "The Father of the Digital Revolution" beyond what we already know.
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