Two seemingly unconnected souls from different corners of the United States make a telepathic bond that allows them to see, hear and feel the other's experiences, creating a bond that apparently can't be broken.
Two strangers stuck in Manhattan for the night grow into each other's most trusted confidants when an evening of unexpected adventure forces them to confront their fears and take control of their lives.
In the throes of a quarter-life crisis, Megan panics when her boyfriend proposes, then, taking an opportunity to escape for a week, hides out in the home of her new friend, 16-year-old Annika, who lives with her world-weary single dad.
Chloë Grace Moretz,
Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for one another...or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.
A tragedy presents Laurel with the chance to reinvent herself as her idolized twin sister, Audrey. As she eases into the life she has always wanted, she must decide between continuing the lie or revealing herself as the perfect fraud.
The "black sheep" son of a wealthy family meets a young psychiatric patient who's been raised in isolation her entire life. He takes the naive young woman home for his brother's wedding to convince his family that he's finally straightened out his life. She impresses the family with her genuine, if unstable charm. Along the way they fall into an improbable love Written by
The plot of the movie is based on the 2005 german movie "Barfuss" by the actor/director Till Schweiger. See more »
On the way to the airport, Jay finds out that Daisy has no ID. However, Jay apparently buys a ticket for both of them (although his credit cards are maxed)and Daisy is allowed to board the airplane at LAX. See more »
Hey. Hey, uh, listen, I'm gonna take off. Do you mind locking the door on the way out?
You *aren't* going to buy me breakfast, are you?
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As a German movie fan I am familiar with Til Schweiger's original 'Barfuss' (2005). But since I always try to keep an open mind I was intrigued to see this remake - and I wasn't disappointed.
'Barefoot' - as an americanized version - tells the story a little bit different and dips more into the romantic (comedy) genre. That's fine by me because a mere copy of Schweiger's film would be pretty redundant. Evan Rachel Wood plays beautifully and portrays an adorable innocence in her role as 'Daisy', the mental patient accompanying Scott Speedman's 'Jay' to his brothers wedding. Their unusual bond is sweet and the movie has more of a light romantic dramedy tone than the original. The colors are warm and the tempo is upbeat but slows down for some nicely done heart-to-heart scenes. I especially loved the setup of certain pivotal scene towards the end.
I can already hear all those serious movie 'critics' moaning about yet another unnecessary remake but that's just it - this remake is not unnecessary. It tells a similar story with a different tone, in a different light, with a different background - transitioning it to a lighter genre. It's not taking anything away from the original - I see it as more of a bonus and really liked it.
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