Critic Reviews
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91
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indieWIRE Eric Kohn
At times, Frances Ha strains from emphasizing the characters' snarkiness and disregarding plot. By routinely going nowhere, however, the movie eventually finds a distinctive voice that carries it through.
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90
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The Hollywood Reporter Todd McCarthy
The director mixes moods with a playfulness that is both brazen and carefree and yet precisely modulated, yielding results that amplify the specific content of the screenplay. This makes for a film that, however cheap it was to make, is incredibly rich to watch.
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83
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The Playlist Rodrigo Perez
Loose, limber and driven by a fierce energy and staccato/pause rhythm we haven't seen previously from this filmmaker, Noah Baumbach's sublime Frances Ha is a fresh and vivacious near-reinvention of the director/writer's comedic milieu.
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80
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The Guardian
Gerwig's performance is full of depth and nuance; self-conscious without being mawkish, clever behind the kook.
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80
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Variety
Baumbach pushes beyond sincerity in search of truth, drawing from such stylistic forebears as the French New Wave, Woody Allen and Andy Warhol's Factory films to capture a reality that has eluded him on his more polished dramedies.
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