Directed by | |||
| Steven C. Miller | |||
Writing credits(WGA) (in alphabetical order) | ||
| Jayson Rothwell | screenplay by | |
Produced by | |||
| Armen Aghaeian | .... | co-producer | |
| John G. Carbone | .... | executive producer | |
| Isaac Clements | .... | associate producer | |
| Sean E. DeMott | .... | executive producer | |
| Micah Gallo | .... | co-producer | |
| James Gibb | .... | executive producer | |
| Aaron L. Gilbert | .... | executive producer | |
| Adam Goldworm | .... | executive producer | |
| D.J. Gugenheim | .... | co-producer | |
| Margot Hand | .... | co-executive producer | |
| Kevin Kasha | .... | executive producer | |
| Thomas M. Kastelz | .... | executive producer | |
| Shara Kay | .... | producer | |
| Phyllis Laing | .... | producer | |
| Joe Laurin | .... | line producer | |
| Edmund Mokhtarian | .... | executive producer | |
| Edward Mokhtarian | .... | executive producer | |
| Patrick Murray | .... | co-executive producer | |
| Gary Preisler | .... | executive producer | |
| Jayson Rothwell | .... | executive producer | |
| Steve Ruff | .... | executive producer | |
| Mark Sanders | .... | executive producer | |
| Richard Saperstein | .... | producer | |
| Edgar Sardarian | .... | associate producer | |
| Erica Sardarian | .... | associate producer | |
| Geno Tazioli | .... | co-producer | |
| Brian Witten | .... | producer | |
Original Music by | |||
| Kevin Riepl | |||
Cinematography by | |||
| Joseph White | |||
Film Editing by | |||
| Seth Flaum | |||
Production Design by | |||
| Kathy McCoy | |||
Set Decoration by | |||
| Maryam Decter | |||
Costume Design by | |||
| Maureen Petkau | |||
Makeup Department | |||
| Evan Campbell | .... | mold maker | |
| George Frangadakis | .... | makeup effects coordinator | |
| Andrew Freeman | .... | key artist | |
| Daena Groleau | .... | assistant makeup artist | |
| Vincent J. Guastini | .... | special makeup effects creator and designer | |
| Doug Morrow | .... | makeup department head | |
| Gregory Ramoundos | .... | special makeup effects producer | |
| Josh Wasylink | .... | mold maker | |
| John Wrightson | .... | key artist | |
Production Management | |||
| Nancy Valle | .... | executive in charge of post-production | |
| Daniel Voltz | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Amanda Wowryk | .... | third assistant director | |
Art Department | |||
| Lucas Culshaw | .... | storyboard artist | |
| Olaf Dux | .... | construction coordinator | |
| Terry Laurin-Gardner | .... | props | |
| Rob McCallum | .... | concept artist | |
| Allan McGowan | .... | set dresser | |
| Jamie Lou Morneau | .... | art department coordinator | |
Sound Department | |||
| Cary Clark | .... | technical support | |
| Daniel Jebb | .... | cable person | |
| Leon Johnson | .... | production sound mixer | |
| Russell Knight | .... | foley mixer | |
| Dan Kremer | .... | foley artist | |
| Eric Maldin | .... | adr mixer | |
| Mark L. Mangino | .... | sound designer | |
| Mark L. Mangino | .... | supervising sound editor | |
| Sacha Rosen | .... | boom operator | |
| Brian Tarlecki | .... | foley editor | |
| Kelly Vandever | .... | sound re-recording mixer | |
Special Effects by | |||
| Erin Dell'amore | .... | special effects lab technician | |
| Tim Freestone | .... | special effects technician | |
| James Kozier | .... | special effects foreman | |
| Paul Noël | .... | special effects coordinator | |
| Josh Wasylink | .... | special effects makeup technician | |
Visual Effects by | |||
| Micah Gallo | .... | executive producer | |
| Tyler A. Hawes | .... | digital intermediate colorist: Lit Post | |
| Thomas McVay | .... | compositor | |
| Gustavo Mendes | .... | digital intermediate conform editor: Lit Post | |
| Scott Purdy | .... | digital intermediate producer: Lit Post | |
| Brad Reinke | .... | visual effects producer | |
Stunts | |||
| Alan Castanaga | .... | stunt rigger | |
| Jacqueline Loewen | .... | stunt performer | |
| Chuck Robinson | .... | stunt rigger | |
| Darren Ross | .... | utility stunts | |
| Kristen Sawatzky | .... | stunt performer | |
| Dan Skene | .... | stunt performer | |
| Rick Skene | .... | stunt performer | |
| Sean Skene | .... | stunt coordinator | |
| Bj Verot | .... | stunt rigger | |
Camera and Electrical Department | |||
| John Clarke | .... | gaffer | |
| Conroy Finnegan | .... | lead grip | |
| Caley Gibson | .... | second assistant camera | |
| Casey Harrison | .... | first assistant camera | |
| Jason Heke | .... | first assistant camera | |
| Brad Hruboska | .... | camera operator | |
| Marcus James | .... | camera operator | |
| Thayer MacInnis | .... | electrician | |
| William Mills | .... | key grip | |
| Jeremy Milmine | .... | best boy electric | |
| Mark Motoch | .... | genny op | |
| Christophe Nachtigall | .... | best boy grip | |
| Tai Pu | .... | electrician | |
| Daniel Quesnel | .... | digital imaging technician | |
| Daniel Quesnel | .... | digital media technician | |
| Cullen Redekop | .... | lighting technician | |
| Rebecca Sandulak | .... | still photographer | |
| Vince Syposh | .... | grip | |
| Devon Unrau | .... | camera trainee | |
| Roger Wiebe | .... | dolly grip | |
Casting Department | |||
| Shelly Anthis | .... | extras casting | |
Costume and Wardrobe Department | |||
| Karen Kristalovich | .... | costume assistant | |
Editorial Department | |||
| Julie Garces | .... | additional editor | |
Music Department | |||
| Charles M. Barsamian | .... | music business & legal executive | |
| Cutting Edge Group | .... | music services | |
| Laura Katz | .... | music supervisor | |
Other crew | |||
| Cameron Arguelles | .... | quality control | |
| Neal Baksh | .... | location manager | |
| Dave Brown | .... | firearms safety coordinator | |
| Andrew Gallinger | .... | key locations | |
| Bill Grantham | .... | finance legal | |
| Rachel Kiley | .... | assistant to ms. king (as Rachel Anderson) | |
| Kimberly Mikoluff | .... | production coordinator | |
| Cliff Sumter | .... | assistant location manager | |
| Kevin Uddenberg | .... | film liaison: City of Winnipeg | |
| Chrissie Vides Alvarado | .... | executive assistant to aaron l. gilbert | |
| Matt Webber | .... | stand-in | |
| Azia Tron | .... | business affairs assistant (uncredited) | |
Thanks | |||
| Chris Roe | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Canada section |
If the one and only thing you need to see in a slasher movie to find it enjoyable is plenty of graphic kills then you'll have a good time watching Silent Night. Someone gets bumped off literally every five-ten minutes, and yes the kills are brutal and gory.
However, if you like to see even the tiniest amount of excitement, scares, tension, character development or decent humour then look elsewhere.
The killer Santa here only murders people that he deems are "naughty". Now this is a simple idea, but one that could have worked quite well with some proper character and plot development that left us guessing who was naughty and who was nice. Instead what we get is a shower of one dimensional arseholes who are made out to be so extremely unlikeable that they simply become a set of caricatures. As a result of this we know who's going to get offed the second they appear on screen and we also don't care.
Another flaw is that the tone of this movie is all over the place. It desperately tries to be dark and eerie and occasionally it succeeds, but then the few attempts at humour are so OTT that it seems like the movie is making fun of itself. The director should have just abandoned any attempts at injecting bits of comedy into the plot because there were too many moments throughout where you're wondering what's actually supposed to be funny and what's just unintentionally hilarious! The main saving grace of the movie that stops it from being a complete stinker is the acting from Jaime King. She really does give a terrific performance and I sincerely hope that she gets to reach a wider audience in the future.
So in the end all you have here is a set extremely unrelateable and unlikeable characters in the most predictable storyline you could imagine. You'll basically just sit there waiting for the next person to die and won't care about anything else going on in the movie. The fact that the kills are slightly varied and inventive is what stops this from being a complete borefest.