Just as Clint Eastwood's star-making spaghetti Western A Fistful of Dollars was inspired by Akira Kurosawa's Yojimbo, Japanese-Korean filmmaker Sang-il Lee (Villain) has decided to ... See full summary »
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
Three women who have been driven mad by pioneer life are to be transported across the country by covered wagon by the pious, independent-minded Mary Bee Cuddy, who in turn employs low-life drifter George Briggs to assist her.
Tommy Lee Jones
Tommy Lee Jones,
Sang-Hyun, who lost his wife, lives with his daughter Soo-Jin. One day, Soo-Jin is raped and murdered. Frustrated by the lack of progress in his daughter's case, Sang-Hyun gets a mysterious... See full summary »
When a protective father meets a murderous ex-con, both need to deviate from the path they are on as they soon find themselves entangled in a downwards spiral of lies and violence while having to confront their own inner psyche.
Just as Clint Eastwood's star-making spaghetti Western A Fistful of Dollars was inspired by Akira Kurosawa's Yojimbo, Japanese-Korean filmmaker Sang-il Lee (Villain) has decided to reinterpret Eastwood's Oscar®-winning Unforgiven as a Japanese period film. Set in the late 1800s, after the fall of Shogunate Japan, onetime assassin Jubee Kamata (Oscar® nominee Ken Watanabe -- Inception, The Last Samurai) lives in seclusion on a small farm. But when the new government begins harassing the local populace, Jubee is forced to break the promise he made to his dead wife and take up the sword once more. Written by
Yes - this film has some stunning visuals, but the pace is very slow, the characters are annoying and somewhat ridiculous at times (constantly acting like idiots), and the main character, Jubei, wallows in self-pity for the entire movie, which makes you wish he would just hurry up and die because he is beyond irritating.
Such a shame that this remake isn't as good as other Japanese films (Crouching Tiger, House of F Daggers, etc). I really wanted to turn it off so many times in the last hour of the film because the pitiful characters were like fingernails down a chalk board, but I continued to the end and was quite relieved when it was over.
Don't waste your time with this film, but if you do, just watch it on mute with something covering the subtitles at the bottom of the screen. Then you can enjoy the visuals, which is the only thing this film has going for it.
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