Getting a real taste of the Pinku genre whilst taking part in ICM's Japan viewing challenge,I took a look online for info about more recent Pinku,and stumbled upon J_Charles's IMDb review,which led to me looking for the Tokyo girls on the train.
View on the film:
Attempting to ride between the modern Adult Video and the classic era Pinku, director Tadashi Kyouya & cinematographer Yoshito Kimura take the flick quickly off the rails via filming everything in the cheapest, low-res digital video quality that had been regularly used in the early 2000's, turning the potentially Erotic, heavy on the foreplay, set-pieces into flat stilted action,with even the Pinku genre staple of a rape scene lacking the Grindhouse grime of traditional Pinku, despite the leering camera here giving the viewer plenty to grope at.
Introducing the flick by saying she is a lousy actress but she tried her best (modest & a fittie!) Risa Kasumi gives the flick much needed sexual sparks as Ayumi, not only in bringing a raunchy edge out of the S&M sequences, but also in displaying a sweet sensitive side in her inner monologue narration about being uncomfortable with the voyeurism track her husband has put this Tokyo train girl on.
View on the film:
Attempting to ride between the modern Adult Video and the classic era Pinku, director Tadashi Kyouya & cinematographer Yoshito Kimura take the flick quickly off the rails via filming everything in the cheapest, low-res digital video quality that had been regularly used in the early 2000's, turning the potentially Erotic, heavy on the foreplay, set-pieces into flat stilted action,with even the Pinku genre staple of a rape scene lacking the Grindhouse grime of traditional Pinku, despite the leering camera here giving the viewer plenty to grope at.
Introducing the flick by saying she is a lousy actress but she tried her best (modest & a fittie!) Risa Kasumi gives the flick much needed sexual sparks as Ayumi, not only in bringing a raunchy edge out of the S&M sequences, but also in displaying a sweet sensitive side in her inner monologue narration about being uncomfortable with the voyeurism track her husband has put this Tokyo train girl on.