A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Recounting the chaotic events that occurred in Dallas, Texas on November 22, 1963, Parkland weaves together the perspectives of a handful of ordinary individuals suddenly thrust into extraordinary circumstances: the young doctors and nurses at Parkland Hospital; Dallas' chief of the Secret Service; an unwitting cameraman who captured what became the most watched and examined film in history; the FBI agents who nearly had the gunman within their grasp; the brother of Lee Harvey Oswald, left to deal with his shattered family; and JFK's security team, witnesses to both the president's death and Vice President Lyndon Johnson's rise to power over a nation whose innocence was forever altered. Written by
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The Zapruder film is mentioned as being a 'new' format while the film is depicted as Kodak standard 8mm which was introduced in 1932. A new 'Super 8' format was not introduced until 1965. What may have been an issue was that Kodak Kodachrome film had the processing of the film included in the price so that the film would only be processed in a Kodak laboratory. Other film processing laboratories would not usually have kept the propriety chemicals to develop Kodachrome film as customers would not be expected to pay for processing twice. See more »
On November 22, 1963, John Fitzgerald Kennedy, the 35th President on the United States, made a political trip to Dallas, Texas with his wife, Jacqueline, and Vice President Lyndon B. Johnson.
Less than an hour after landing in Dallas, Kennedy was assassinated.
This story is based on the true events that took place on that day, and the three that followed.
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Although based on a true story and depicting real-life people the end credits state: "All characters in this film are fictional and any resemblance to persons living or dead is purely coincidental." See more »
Though I agree with reviewers that some of the acting was less than stellar, particularly in the vapid portrayal of Jackie Kennedy, I became completely engaged in the devastation slammed into the lives of the "little people" and those charged with handling the travesty that was the point of "Parkland." Everyone was just "going about their lives," excited to see this hero President in their own city. It wasn't about memorable dialog. That was in the prepared statements of straight-faced Walter Cronkite in that new era of television reporting, but it wouldn't have been appropriate for those on the scene. The point was the event, and the total panic and confusion in what was an incredibly short time span. People were stunned, and they didn't know what to do, whether in the operating room to protect the dignity of the President by leaving his shorts on, or faced with the decision of where to put the casket. I don't care if these didn't happen in reality. I expected to be emotionally engaged in the story and I wasn't disappointed. I was appropriately jolted by the shifts between images of how each person in Dallas responded - from the Secret Service to the Dallas Medical Examiner to the typically human compulsions to crowd the one-foot square window into the operating room. Though the portrayal of Marguerite Oswald might have seemed "over the top," for me it captured her bizarre, insane determination to be the aggrieved party. What a dramatic contrast with the personal strength of her son, Robert Oswald. Even though he always believed his brother killed the President of the United States, we learn that he never changed his name and didn't move his family from the Dallas area. And the life of Abraham Zapruder was decimated. Here's a small business owner who's excited about using his new state-of-the-art movie camera to capture the President's visit. He wasn't there to film an assassination. I think I would have been "sweaty," too, if this kind of responsibility dropped onto my shoulders because of an inconceivable twist of fate. Suddenly his life was taken over by the Secret Service, the ultimate national police force, and his integrity and resistance to being in the limelight were obvious. Though he was the center of attention in processing the film footage, that was clearly not his role in the overall unfolding of events. Bottom line, I guess the reviewer and I had very different perspectives on the validity of Peter Landesman's goals for "Parkland" and how well he achieved them. I couldn't disagree more strongly with Peter Debruge's review.
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