MOVIEmeter
Top 5000
Down 56 this week

Third Person (2013)

 -  Drama | Romance  -  14 November 2014 (UK)
6.4
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 6.4/10 from 12,184 users   Metascore: 38/100
Reviews: 57 user | 82 critic | 33 from Metacritic.com

Three interlocking love stories involving three couples in three cities: Rome, Paris, and New York.

Director:

Writer:

(screenplay)
Watch Trailer
0Check in
0Share...

Watch Now

From $12.99 on Amazon Instant Video

Editors' Spotlight

Leonard Nimoy: 1931-2015

Best known for his work on "Star Trek," actor and director Leonard Nimoy died on Friday in Los Angeles. Read our full story on his varied career, and view our memorial photo gallery.

User Lists

Related lists from IMDb users

list image
a list of 21 titles
created 08 Mar 2013
 
a list of 48 titles
created 30 Apr 2013
 
a list of 28 titles
created 9 months ago
 
a list of 23 titles
created 5 months ago
 
a list of 29 titles
created 1 month ago
 

Related Items

Search for "Third Person" on Amazon.com

Connect with IMDb


Share this Rating

Title: Third Person (2013)

Third Person (2013) on IMDb 6.4/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Third Person.

User Polls

1 win. See more awards »

Videos

Photos

Edit

Cast

Cast overview, first billed only:
...
...
...
...
Michele Melega ...
Giorgio
...
Gianni Franco ...
Taxi Driver (Rome)
Marius Bizau ...
Taxi Driver (Paris)
...
Katy Louise Saunders ...
Gina
...
...
Sam
...
Jesse
Valentina Gaia ...
News Reader
...
Marco
Edit

Storyline

Michael (Liam Neeson) is a Pulitzer Prize-winning fiction author who has holed himself up in a hotel suite in Paris to finish his latest book. He recently left his wife, Elaine (Kim Basinger), and is having a tempestuous affair with Anna (Olivia Wilde), an ambitious young journalist who wants to write and publish fiction. At the same time, Scott (Adrien Brody), a shady American businessman, is in Italy to steal designs from fashion houses. Hating everything Italian, Scott wanders into the Café American" in search of something familiar to eat. There, he meets Monika (Moran Atias), a beautiful Roma woman, who is about to be reunited with her young daughter. When the money she has saved to pay her daughter's smuggler is stolen, Scott feels compelled to help. They take off together for a dangerous town in Southern Italy, where Scott starts to suspect that he is the patsy in an elaborate con game. Julia (Mila Kunis), an ex-soap opera actress, is caught in a custody battle for her 6 ... Written by Sony Pictures Classics

Plot Summary | Add Synopsis

Taglines:

Life can change at the turn of a page.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexuality/nudity | See all certifications »

Parents Guide:

 »
Edit

Details

Official Sites:

Country:

| | | |

Language:

|

Release Date:

14 November 2014 (UK)  »

Also Known As:

Dragoste la persoana a treia  »

Filming Locations:

 »

Box Office

Opening Weekend:

$38,856 (USA) (20 June 2014)

Gross:

$1,019,038 (USA) (19 September 2014)
 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Trivia

Faking New York exteriors in Rome meant acquiring at least a handful of yellow taxi cabs. The production was able to borrow a few from a film facility in Bulgaria. See more »

Goofs

In the scene that Anna looks at her iPhone in Paris, it shows the carrier as AT&T. AT&T doesn't offer service in Paris. One of the local phone carriers would come up on her iPhone screen, even if her home service was with AT&T. See more »

Crazy Credits

The opening as well as the first part of the ending credits share the same graphic pattern style as the lower parts of the glass partitions in the apartment of Franco's character. See more »

Connections

Referenced in Film 2015: Episode dated 12 November 2014 (2014) See more »

Soundtracks

Pazzo Di Lei
Written and performed by Biagio Antonacci
Courtesy of Iris Srl.
Published by Basta Edizioni Musicali Srl.
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
A Third Person Seemed To Be Too Much For This Tale To Handle
25 July 2014 | by (United States) – See all my reviews

Third Person seeks to explore the betrayal of trust—the betrayal of fidelity and friendship. Paul Haggis, the director, has made a career out of making films that interweave numerous story lines. In this case, Liam Neeson, Olivia Wilde, Adrien Brody, Mila Kunis, and James Franco all comprise a wonderful ensemble that demands a range of powerful emotions to drive this story through its incessant melodrama (no negative connotation applied). The narrative here focuses on the romantic relationships and affairs that unfortunately still plague society and humanity's untamable nature. I'm sure we all know the implication of the film's title ("Third Person"), and with that, the drama goes on an almost two-and-a-half-hour drive through tense dialogue, flirtation, and sexy teases.

The movie teases and teases but never seems to reach the climax that its lengthy build-up continually suggests. Its first hour is fairly compelling in its set-up, deliberately introducing the audience to the exact predicament and its hapless participants. The plot over the rest of the film unravels quite cryptically, as well as in a manner that might appear heavily contrived to many viewers. There is a certain degree to which a suspension of belief should absolutely be mustered upon entering this picture. Aside from the contrivances, moments exist within that play to extreme dramatic effect but actually lead to a whole lot of nothing. After a great deal of meticulous development, a character screams and terrorizes a room out of realized anger as a tragic score plays to the segment's tune even though that scene essentially has no consequence in the sequences that follow (the character simply returns to a former state) as if the filmmaker was stylishly proceeding towards tragedy and quickly mopping up soon thereafter.

The actors themselves do a fantastic job and glue us to the screen albeit the script's occasional muddling of the conflict at hand. Adrien Brody, in my opinion, is the standout here, possessing a complex personality that battles between moral decisions and his wild desires. The writing in the first few scenes of his arc—we find him in a bar having a natural conversation with a mysterious woman (Moran Atias) as we immediately discern his dislike for foreign environments (particularly Italy) and his highly talkative, forceful nature. Olivia Wilde and Liam Neeson share the screen in probably the most compelling storyline where Neeson's strong infatuation for Wilde lends itself to perfidy and constant ridicule. Wilde's character plays a hard-to-get, but incredibly seductive, "sexpot" who tests Neeson's true loyalty to her while he starts to construct his next novel. Mila Kunis' part of the tale is definitely the least intriguing in its somewhat clichéd essence— she's bouncing from job to job, barely able to pay her monthly bills and struggling to reclaim her kid who was taken from her based on accusations of abuse.

Like I said, all of these individual threads in an interlocking story initially engross, but then, Third Person starts to drag on and on. It sits at a runtime of 2 hours and 17 minutes but honestly feels like it's reaching the 3-hour mark. The connection between these separate stories begins to materialize the further we advance into the plot while also shadowing it with plenty of confusion at the same time. The last scene is a head-scratcher…in a bad way. You're scratching your head because that "da dumb" twist moment unintentionally goes over everyone's head and falls flat in its execution. So, wait: how are they exactly connected thematically and emotionally? All I witnessed was a multitude of contrivances that saw these characters crossing each other's paths for a few seconds. Of course, there's a reason to all this once the very end comes to fruition, but the point of the entire ordeal sorely misses its mark. There's too much going on with the quick cutting intensifying as we progress, and none of the arcs conclude satisfyingly.

With that being said, I still respect Haggis' ambition and his ventures into such heart-rending tales. Contrary to general reception, I genuinely enjoyed Crash, and now, I most likely find myself enjoying Third Person more than most as well. It's primarily absorbing throughout, just a tad bit too long and woolly.


17 of 27 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
The point of the movie. Appreciate any insights :) sherineyousery
Ew, Paul Haggis!? Tristan_Carter44
James Franco jamesfranco-471-754478
Can some who understood everything please explain ... DontMessWithZohan
that crumpled note that goes from Paris to NYC rnm999
help dalal-dm
Discuss Third Person (2013) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?