Natalia and Carlos, both aged 20, are in love and struggling to survive in today's Spain. Their limited resources prevent them from getting ahead as they'd like to. They have no great ... See full summary »
Ingrid García Jonsson,
I think I'm being unkind giving this film a 9. It's as close to perfection for such a simple film as it's likely to get.
I'll try my best not to include spoilers, but it's difficult not to give too much away.
Okay, where do I start? The performance of the mother in this film is simply mesmerising, the raw emotion of dealing with grief, the pent-up anger at the reaction of her husband.
The film is beautifully shot in black and white, with only a brief flirt with colour. As a film person, I was struggling to work out how the director achieved one shot overlooking a field, that looked like a tracking shot, but wasn't.
One of the most original and moving funeral sequences that I have ever seen, a long lingering shot from a short distance, leaving the family and friends to their privacy.
I cried at one point, I am not ashamed to say. If you see the film, it will probably have the same effect on you, a classroom scene without the class. And a daughter trying to reach out to her father but her father not seeing (again trying not to give too much away!) I hope this film gets a cinema release in the UK, somehow I doubt it will, which would be a real shame. The best film I saw at Cannes by a country mile and also one of the best films I have seen in a very long time. A great example of how to squeeze the maximum out of very simple subject matter.
A real surprise and a revelation.
5 of 9 people found this review helpful.
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