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It is inevitable that White House Down be compared to Olympus Has
Fallen. Unfortunately, it compares poorly from the title on down.
The special effects lack the realism of OHF.
The action sequences are disjointed and downright goofy at times.
The bad guys are cartoonish and you get no sense of satisfaction when
they are put down.
The plot is too complicated by half and really is not relevant to the
action.
The movie ends with a whimper and a SNL quality perp walk of the
character who is ultimately responsible for all the carnage.
But the worst thing is the crude, amateurish and transparent Left vs.
Right political message in which it drapes all the other sub par
elements. It is a Progressive's wet dream that really couldn't be any
more wacko if you gathered 100 of Huffington Posts's top Super Users in
a room festooned pictures of Dick Cheney and GWB, fed them mushrooms,
and asked them to come up with the motivation for the bad guys.
But Good Guys shooting bad guys is always good and so are explosions.
If you ignore the channeling of Nancy Pelosi, then you might get your
money's worth at a matinée showing.
I will start with the pros. This movie is packed with excitement,
action, and CGI effects - almost start to finish. Now the cons: a
blatant ripoff of both Die Hard and Olympus Has Fallen (which was a
blatant ripoff of Die Hard); the most implausible story EVER; the
absolute worst acting EVER with Jamie Foxx taking the lead. This movie
should be reason enough to finally burn that guy's SAG card once and
for all. And Channing Tatum, whom I normally like, was a close second.
In fact, the only actor to give a good performance was the little girl
who played Tatum's daughter.
Believe the reviews you read here. They are not exaggerations. If you
must watch this, wait for Redbox!
White House Down offers very little that's new or interesting. It's a
convoluted mess that's caught in no man's land. It takes itself far too
seriously yet offers ridiculous action (ridiculous as in dumb, not as
in wild or fun) and even more ridiculous characters. It wants to be
taken seriously but functions in bizarre surroundings with a foolish
plot. A calamity of underdeveloped ideas, half the film is flat out
brain damaged and the other half is pure schlock. Do yourself a favor
and avoid this dumb and actually boring farce.
This movie simply can't stand on its own as a film. Does often joyless,
dark and dumb appeal to even the popcorn crowds? The rest of us want
way more in our summer movies.
*** This review may contain spoilers ***
Forever etching his name on the 'blacklist' of the highest office in
Washington, Roland Emmerich is back at destroying the official
residence of the President of the United States. Alas, Emmerich has
been beaten at his own game, his White House under siege premise coming
less than six months after the similarly-themed 'Olympus Has Fallen'.
Besides cast and character, both are essentially variations of the same
movie - or to sum it up succinctly, 'Die Hard' on 1600 Pennsylvania
Avenue. And having lost the novelty factor to 'Olympus', what matters
is only whether it is in fact a better movie than its predecessor, to
which our answer is unfortunately a resounding no.
Yes, despite a bigger budget and perhaps more bankable lead stars
(Channing Tatum and Jamie Foxx are still surer box-office bets than
Gerard Butler going by their respective track records), 'White House
Down' is a disappointing letdown. To be fair, that ain't the fault of
Tatum and Foxx, both of whom are the saving graces of an otherwise
embarrassing exercise in hokum; instead, Emmerich and his screenwriter
James Vanderbilt are squarely to blame here, the latter for throwing
any semblance of logic out the window and the former for trying too
hard to emulate Michael Bay.
Whereas 'Olympus' had the real-life threat of the North Koreans to lend
some authenticity, Vanderbilt engenders none with his far-fetched
premise of the President's Head of Secret Service, Walker (James
Woods), recruiting a hodgepodge bunch of right-wing ex-military
fundamentalists to kidnap the President and exploit his nuclear arsenal
so as to wipe out America's enemies in the Middle East (here's looking
at you, Teheran) off the map. The trigger for that? A G8 speech where
current President, James Sawyer (Foxx), essentially tells the world
that the U.S. will be pursuing peace diplomacy by taking the first step
to lay down its weapons.
Despite a backstory that tries to explain Walker's motivations, there
is little coherence to just how the Head of the President's Secret
Service detail would be so compelled to attempt such an act of treason,
let alone assemble a ragtag team of militarists with past criminal
records and sneak them into the White House to aid his 'noble' cause.
Ditto for the likelihood that a hacker, however brilliant he might be,
could simply run a programme to crack the NSA's firewalls without even
so much as alerting anyone else in the process - and may we add thereby
precipitating a thoroughly laughable chain of swearing-ins that goes
from the Vice-President to the Speaker of Parliament Raphelson (Richard
Jenkins). If you thought 'Olympus' was just implausible, then 'White
House Down' pretty much operates on its own system of reasoning.
Further turning the proceedings to farce is the buddy team of aspiring
Secret Service agent John Cale (Tatum) and President Sawyer. A classic
case of the right guy in the wrong place at the wrong time, Cale finds
himself rising to the call of duty when the terrorists launch their
attack just as he and his daughter Emily (Joey King) are on tour in the
White House. But instead of repeating the formula of one man saving the
day (or the President for that matter), Vanderbilt introduces a twist
to the dynamics between Cale and Sawyer by turning them into partners -
though how much it really does veer from the earlier cliché is
questionable.
Nonetheless, Tatum and Foxx make a pleasantly amusing pair and are -
truth be told - the best things that the movie has going for it. But
the immediate trade-off of injecting comedy into a premise that
intuitively demands a certain degree of solemnity is that you cannot
quite take anything else that happens in it seriously afterwards.
Nowhere is this more evident than in an utterly ludicrous sequence
where Cale and Sawyer are in the President's limousine driving round
and round the fountain in the middle of the White House lawn while
being chased by the bad guys, the sheer stupidity of it matched by the
fact that Sawyer is in the meantime figuring out how to assemble a mini
rocket launcher in the back seat.
Whereas 'Olympus' kept its pacing taut by emphasising the gravity of
the threat facing the nation, there is nary a frisson of tension even
as Walker comes dangerously close to acquiring the President's nuclear
commandership. Simply put, the self-aware humour that is the only
reason why the movie remains watchable sits at odds with the
self-serious tone in the last third of the film, and no number of
fighter planes nor surface-to-air missiles can regain the credibility
of its premise.
It doesn't help that the action, which consists largely of close combat
fights, is surprisingly lacklustre, choreographed with neither finesse
nor technique to distinguish one from the other. Wherever Emmerich gets
the opportunity in the screenplay to stage the action against a wider
canvas, he squanders that chance to make it count, the surfeit of CGI
and excess making for a toxic combination that renders what is shown
little more than an afterthought. Indeed, a similar sequence as that in
'Olympus' where the Special Forces attempt to land on the roof of the
White House from helicopters unfolds with so little excitement that it
might as well have been cut out altogether.
Therein lies perhaps the biggest problem with 'White House Down' - even
as a summer popcorn flick, it just isn't thrilling enough. Emmerich
tries to keep every frame busy - hence the countless number of times
Tatum leaps over couches or slides over tables - but the action is just
loud, dumb and plain boring. Only the humour between Tatum and Foxx
manages to be entertaining, though it's hard not to regard the movie as
farce afterwards. Call us biased, but we like our White House under
siege thrillers to be hard-hitting, intense and gripping, none of which
can be used to describe 'White House Down'.
- www.moviexclusive.com
I managed to catch an advance screening of this Roland Emmerich
directed flick in the theaters last Tuursday. I particularly did not
have any high expectations going into this movie partly because the
director's previous duds and also because the trailer didn't
particularly excite me. But, one thing Emmerich does is that he always
mounts his films on a grand scale and I'm guessing most of you will
agree with me on that. Be it, Independence Day, The Day After Tomorrow
or 2012, you will always see a grand spectacle unfolding with a larger
than life projection, and White House Down is not much different in
that aspect.
So you have John Cale (Channing Tatum) vying for his dream job with the
Secret Service protecting the President of United States (Jamie Foxx)
for which he takes along his high on political IQ, daughter Emily (Joey
King) for an interview in the White House. As indicated by the title of
the movie, the timing could not have been any better as within minutes
the building is taken down and held hostage by heavily armed in-house
terrorists, who have their own personal agendas on mind. The initial
scenes manage to get your attention with some nicely executed scenes of
the siege of the most important building of the world. But alas, its
all downhill from here. Clearly, this is not the place to ask for
reasoning and logic. An event of such a magnitude, needs to have a very
strong intent but when the purpose is gradually revealed you seem to
feel simply let down and you seem to ask this question "Do the makers
feel their audience is so stupid?" None of the characters stand out.
I'm not asking a Joker show here but at least the antagonist needs to
have his motive clear. Twists appear completely out of the blue, I mean
it should be a good thing but there should always be a good
justification so that all the bits and pieces join together to make the
twist believable. Simply saying how would you react if Alfred from the
Batman trilogy turned out to be the villain in the last scene.
Movies in which action does most of the talking, need to have deep
rooted and believable characters, and this starts from the writing
stage till the final casting but unfortunately this is one of the
weakest aspects of the movie. I mean a simple way to gauge that would
be to ask yourself, how badly you want the villain killed or the love
story to end on a positive note or the leading man bash up the
antagonist in the final act. In this movie, I felt none of those. I
couldn't care less about any of the characters on screen, whatever
happens I just want the lights back on ASAP, and that's not a good sign
for any movie. On a positive note, you take back a couple of characters
like Donnie (the guide) and Emily (Cale's daughter). Nicolas Wright as
Donnie, the guide taking visitors on a trip inside the White House gets
his timing right in most of the comic scenes he has particularly in the
scene where Emily answers his questions beforehand or the scene where
he takes a dig at blowing of White House in Roland's previous film
Independence Day.
That's the only thing you take back from an otherwise overblown, out
rightly dumb and a flat film which offers nothing new only other that
the White House being blown to bits. At a runtime of almost 130
minutes, it feels long, tiring and chances are it'll leave you with a
migraine. I would definitely not recommend it to anyone, it's not worth
the price of a ticket. Grab a DVD cuddle up in your couch and watch the
Independence Day again, it'll definitely be the two hours well spent.
Not only is this movie poorly done but it was not even enjoyable. Emmerich has really defined the meaning of 'implausible' and ludicrous. There are numerous obvious fallacies in the presentation of the security aspects of the film and the plot meanders. The movie seems to suffer from a identify crises, serious political thriller vs comedic quips. And it appears to be nothing more than a vehicle for Channing to perform impossible heroic stunts. I'm surprised Channing would include himself as a producer on this boring piece, very little different from Olympus Has Fallen of a couple months back. And it is an obvious promotion for the Obama administration-- you know Obama good and everyone opposed to him is bad.
Now, this seemed like the perfect summer blockbuster. Two huge stars, an expensive budget and a director with a knack for action. What could go wrong? By the end of it, instead of what could go wrong, you'll be asking yourself what went right. The answer....barely anything. White House Down is not only dumb, it is downright idiotic. The plot is preposterous, the action sequences sub par and the acting is atrocious. Channing Tatum does his best Bruce Willis impression while Jamie Foxx turns in the worst performance of his career. The supporting cast lead by Maggie Gyllenhaal saves the terrible leads and are the sole reason I am not giving this a 1. Overall, this film is loud, long and boring, so much so, I can't imagine any adult with a functioning brain to enjoy this. I highly recommend to stay away from this stinker. If you want a great action film featuring the destruction of the White House, tune into Olympus Has Fallen.
*** This review may contain spoilers ***
The acting was really good on Tatum's and Foxx's parts. The plot and
twists were actually pretty good. But what keeps bugging me about this
film(reason why I gave it 5/10 instead of 8/10) is that the politics of
the movie are a bit too real for what's currently going on in the white
house, congress and in the media. I can't help but see how they are
making Foxx look like Obama as this big "nice guy" who's out to protect
the world and all of these "evil republicans" are forcing him into a
corner.
If you like Obama then you will probably love this movie. This movie
basically glorifies him in so many ways it's disgusting.
White House Down (2013)
1/2 (out of 4)
To quote Roger Ebert: "I hated, hated, hated this movie." Roland
Emmerich's latest disaster is about a cop (Channing Tatum) who is
taking his daughter on a tour of the White House when terrorist take it
over and try to take the President (Jamie Foxx) hostage. Now the cop,
whose daughter can't really stand him, must try to impress her by
saving the day and her favorite President. For starters, go watch
OLYMPUS HAS FALLEN as it's a much better action movie and deals with
the same subject. I'm sorry but if Emmerich were making movies back in
the 70s they'd be lucky to play third bill at a drive-in just before
the sun comes up. I really can't wrap my brain around how someone can
make such bad movies one after another. Is he doing it on purpose?
Surely he didn't make this film as bad as it is without doing it on
purpose. Everything from the story to the acting to the CGI effects are
just downright bad and all of it has Emmerich's style behind it. I
mean, were we really supposed to find this movie touching and
patriotic? The Foxx character is obviously "inspired" by Obama but if
this was meant to be a tribute then they failed because it comes across
as really embarrassing. Even worse are the bits of comedy, which
includes some of the worst one-liners that you're ever going to hear.
Even worse still are the awful action scenes with some of the worst
looking CGI action effects that you're going to see this side of a SyFy
production. Then, you have an incredibly awful subplot dealing with the
cop's teenage daughter who is a complete brat but they try to make her
out as some sort of patriotic hero. This entire bit of the story is
just a complete embarrassment and it made me cringe as I watched it. I
won't call out the actress but it was just a really bad position that
the director put her in and it's almost as bad as Jaden Smith in AFTER
EARTH. Let's pray that the two never team up. Both Tatum and Foxx are
clearly just picking up paychecks and the great character actors like
James Woods, Maggie Gyllenhaal and Allen Jenkins are just wasted in
worthless roles. There are some moments here that are so incredibly bad
that I couldn't help but laugh at them but sadly the film runs way too
long to enjoy it as simply an awful movie with laughs.
*** This review may contain spoilers ***
Been working a lot of hours lately and called the Mrs. to say let's go
see a movie. She brought this title up and I said sure, let's go. In
the interest of full disclosure, I am not normally a guy who likes
mindless action movies (Die Hard 1 was good, 2-10 not so much), but it
had Foxx and Gyllenhaal in it, so it can't possibly be as bad as, say,
Independence Day. But, without research, I didn't realize the movies
came from the SAME GUY.
But ultimately I was right, ID was a 1 star and WHD is a 2.
Character and plot development? They didn't have time, they had 2
million rounds of various calibers to expend so it was laid out in the
fastest most cliché manner possible.
I am a left leaning person but the "bad guys'" and their "motivations"
were about a subtle as an anvil dropped on Wiley Coyote. And the bad
guys were a grab bag of the worst nightmares of a liberal. It seemed
like a Batman movie where the Joker, Riddler and Penguin all got
together to fight the caped crusader Tatum. Really? The only saving
grace was the $100 mil of CGI of the WH being blown up which offered
momentary respite from the, gulp, dialogue.
My brain feels insulted and I feel sorry that Jamie and Maggie were so
desperate for a payday, they appeared in this. It got so bad, I excused
myself for the last 10 minutes to go to the bathroom because she bought
large drinks. Thank God.
Next time, I pick the movie.
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