Disgraced former Presidential guard Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
A DEA agent and a naval intelligence officer find themselves on the run after a botched attempt to infiltrate a drug cartel. While fleeing, they learn the secret of their shaky alliance: Neither knew that the other was an undercover agent.
John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.
Capitol Policeman John Cale has just been denied his dream job with the Secret Service of protecting President James Sawyer. Not wanting to let down his little girl with the news, he takes her on a tour of the White House, when the complex is overtaken by a heavily armed paramilitary group. Now, with the nation's government falling into chaos and time running out, it's up to Cale to save the president, his daughter, and the country. Written by
In the film, the president opened the passenger side window in his presidential limousine as to launch the missile launcher. In reality, the driver's window is only one that can be opened partially. None of the windows in the passenger compartment can be opened for security and protection reasons. See more »
I got three rounds. Tell me you got some weapons in the residence.
No, we usually have two agents right there with machine guns. We got some knives in the kitchen.
They're big knives.
Great, then you can make me a sandwich.
See more »
Piano Concerto No. 3 in C minor
Written by Ludwig van Beethoven
Performed by Henri Sigfridsson, Helmut Müller-Brühl and Cologne Philharmonic Orchestra
Courtesy of Naxos
By arrangement with Source/Q See more »
It is inevitable that White House Down be compared to Olympus Has Fallen. Unfortunately, it compares poorly from the title on down.
The special effects lack the realism of OHF.
The action sequences are disjointed and downright goofy at times.
The bad guys are cartoonish and you get no sense of satisfaction when they are put down.
The plot is too complicated by half and really is not relevant to the action.
The movie ends with a whimper and a SNL quality perp walk of the character who is ultimately responsible for all the carnage.
But the worst thing is the crude, amateurish and transparent Left vs. Right political message in which it drapes all the other sub par elements. It is a Progressive's wet dream that really couldn't be any more wacko if you gathered 100 of Huffington Posts's top Super Users in a room festooned pictures of Dick Cheney and GWB, fed them mushrooms, and asked them to come up with the motivation for the bad guys.
But Good Guys shooting bad guys is always good and so are explosions. If you ignore the channeling of Nancy Pelosi, then you might get your money's worth at a matinée showing.
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