The story of two men on different sides of a prison riot -- the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts tournament - a path that puts the fighter on a collision corner with his older brother.
Capitol Policeman John Cale has just been denied his dream job with the Secret Service of protecting President James Sawyer. Not wanting to let down his little girl with the news, he takes her on a tour of the White House, when the complex is overtaken by a heavily armed paramilitary group. Now, with the nation's government falling into chaos and time running out, it's up to Cale to save the president, his daughter, and the country. Written by
Apart from a couple of second unit shots of Washington DC and one scene shot in a park, all filming took place on sound stages in Montreal, Canada, with extensive blue screen techniques used to create the "world" around each set where required. See more »
Throughout the first scenes in the movie before the action begins, Cale is shown wearing a suit and tie. However, in each scene, the tightness of the tie around his neck varies. Significantly noticeable prior to entering the interview room (loose and lowered from the neck), during the interview (tight to his neck), and the immediate scene leaving the interview room when his daughter asks if he got the job (loose). See more »
[after seeing the president carrying a rocket launcher]
This is something you don't see every day.
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It is inevitable that White House Down be compared to Olympus Has Fallen. Unfortunately, it compares poorly from the title on down.
The special effects lack the realism of OHF.
The action sequences are disjointed and downright goofy at times.
The bad guys are cartoonish and you get no sense of satisfaction when they are put down.
The plot is too complicated by half and really is not relevant to the action.
The movie ends with a whimper and a SNL quality perp walk of the character who is ultimately responsible for all the carnage.
But the worst thing is the crude, amateurish and transparent Left vs. Right political message in which it drapes all the other sub par elements. It is a Progressive's wet dream that really couldn't be any more wacko if you gathered 100 of Huffington Posts's top Super Users in a room festooned pictures of Dick Cheney and GWB, fed them mushrooms, and asked them to come up with the motivation for the bad guys.
But Good Guys shooting bad guys is always good and so are explosions. If you ignore the channeling of Nancy Pelosi, then you might get your money's worth at a matinée showing.
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