Disgraced former Presidential guard Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
A DEA agent and a naval intelligence officer find themselves on the run after a botched attempt to infiltrate a drug cartel. While fleeing, they learn the secret of their shaky alliance: Neither knew that the other was an undercover agent.
In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.
Capitol Policeman John Cale has just been denied his dream job with the Secret Service of protecting President James Sawyer. Not wanting to let down his little girl with the news, he takes her on a tour of the White House, when the complex is overtaken by a heavily armed paramilitary group. Now, with the nation's government falling into chaos and time running out, it's up to Cale to save the president, his daughter, and the country. Written by
Apart from a couple of second unit shots of Washington DC and one scene shot in a park, all filming took place on sound stages in Montreal, Canada, with extensive blue screen techniques used to create the "world" around each set where required. See more »
When Marine One does "the thing" at the beginning of the film, and does a fly-by of the Lincoln Memorial, a profile of Lincoln is shown with the helicopters flying past in the background. This is impossible as that wall is solid, and bears the Gettysburg address. See more »
It is inevitable that White House Down be compared to Olympus Has Fallen. Unfortunately, it compares poorly from the title on down.
The special effects lack the realism of OHF.
The action sequences are disjointed and downright goofy at times.
The bad guys are cartoonish and you get no sense of satisfaction when they are put down.
The plot is too complicated by half and really is not relevant to the action.
The movie ends with a whimper and a SNL quality perp walk of the character who is ultimately responsible for all the carnage.
But the worst thing is the crude, amateurish and transparent Left vs. Right political message in which it drapes all the other sub par elements. It is a Progressive's wet dream that really couldn't be any more wacko if you gathered 100 of Huffington Posts's top Super Users in a room festooned pictures of Dick Cheney and GWB, fed them mushrooms, and asked them to come up with the motivation for the bad guys.
But Good Guys shooting bad guys is always good and so are explosions. If you ignore the channeling of Nancy Pelosi, then you might get your money's worth at a matinée showing.
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