Jasmine French used to be on the top of the heap as a New York socialite, but now is returning to her estranged sister in San Francisco utterly ruined. As Jasmine struggles with her haunting memories of a privileged past bearing dark realities she ignored, she tries to recover in her present. Unfortunately, it all proves a losing battle as Jasmine's narcissistic hangups and their consequences begin to overwhelm her. In doing so, her old pretensions and new deceits begin to foul up everyone's lives, especially her own. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Dr. Flicker, the dentist and employer of Jasmine in the movie, is a recurring character in Allen's films. Most notably, he is Alvy Singer's childhood doctor, featured in the first flashback of Annie Hall (1977). See more »
When Ginger, Jasmine, Chilli and Eddie are at the clams restaurant, Eddie asks Jasmine what would she be if she had finished her education. She answers: "an anthropologist". Eddie ignorantly asks: Really, digging up fossils?" Jasmine replies mockingly: "That's an archeologist". She is wrong. The correct answer would be "That's a paleontologist", the right science that studies fossils. Jasmine shows that she as is "imperfect" and "ignorant" as those she belittles. See more »
Can you please not fight in here? I don't think I can take it. For some reason, my Xanax isn't kicking in.
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I thought this was Woody Allen's best film in years. The script was better written than I expected from him at this point, given his more recent turns toward drama, and the laughs are often derived as much from the dark humor in the characters' situations as from snappy punch lines. Kudos to Cate Blanchett who turns in a stellar performance, actors sometimes broadly interpret Woody's neurotic characters for comedic effect, more the way Woody would play the role (think Judy Davis), but Cate very effectively plays it straight and my guess is she'll be taking home the next best actress Oscar. For me the biggest surprise was Andrew Dice Clay, who gives a surprising nuanced performance as a working class guy bitter about having been screwed over by big shots, and in some ways his character morally anchors the film. Good job, Woody.
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