A story that follows a New York woman (who doesn't really have an apartment), apprentices for a dance company (though she's not really a dancer), and throws herself headlong into her dreams, even as their possibility dwindles.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
Shy 14-year-old Duncan goes on summer vacation with his mother, her overbearing boyfriend, and her boyfriend's daughter. Having a rough time fitting in, Duncan finds an unexpected friend in Owen, manager of the Water Wizz water park.
Jasmine French used to be on the top of the heap as a New York socialite, but now is returning to her estranged sister in San Francisco utterly ruined. As Jasmine struggles with her haunting memories of a privileged past bearing dark realities she ignored, she tries to recover in her present. Unfortunately, it all proves a losing battle as Jasmine's narcissistic hangups and their consequences begin to overwhelm her. In doing so, her old pretensions and new deceits begin to foul up everyone's lives, especially her own. Written by
Kenneth Chisholm (firstname.lastname@example.org)
When Hal is in the kitchen after the birthday party Jasmine confronts him about Raylene. The open wine bottle is on the counter and as she passes into another room to get more wine, it's in her hand. See more »
Anxiety, nightmares and a nervous breakdown, there's only so many traumas a person can withstand until they take to the streets and start screaming.
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One of the better movies Woody Allen has put out in recent years, featuring superior performances by Cate Blanchett as an emotionally unstable woman forced to come down from her privileged past and Sally Hawkins as her enabling lower-income sister. Allen's screenplay is often amusing although it meanders at times (I looked at my watch more than once during the screening I attended) and its story seems uncomfortably reminiscent of "A Streetcar Named Desire" with Blanchett in the Blanche DuBois role, Sally Hawkins as Stella, Peter Sarsgaard as Mitch and Bobby Cannavale as Stanley Kowalski. It lacks the dramatic power and sexual tension of Tennessee Williams' masterpiece and in the end, Allen's urbane sophistication doesn't make up for it.
There is a tendency in recent years to either over-praise Allen or rip him to shreds. I don't think this film deserves either fate, being an enjoyably diverting if occasionally pretentious and derivative comedy/drama. It may not belong in the pantheon of great Woody Allen movies like "Annie Hall" or "Manhattan" but it's no "Curse of the Jade Scorpion" or "Celebrity" either. If it didn't have the Woody Allen brand on it, I suspect that it would quickly come and go without notice as a fairly well-made independent drama with some nice acting that has some gripping sequences while ultimately being a little on the dull side. Because of Allen's enduring reputation, it will probably pick up an Oscar nomination or two (for Blanchett's performance and for Allen's questionably "original" screenplay) because Allen's name still carries cache with the taste arbiters. It had too many dull stretches and redundant exchanges for that kind of attention for my money, but its high points made me feel like there were worse ways to spend an hour and a half.
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