A hugely talented but socially isolated computer operator is tasked by Management to prove the Zero Theorem: that the universe ends as nothing, rendering life meaningless. But meaning is what he already craves.
Because of the actions of her irresponsible parents, a young girl is left alone on a decrepit country estate and survives inside her fantastic imagination.
Director:
Terry Gilliam
Stars:
Jeff Bridges,
Jennifer Tilly,
Jodelle Ferland
Will and Jake Grimm are traveling con-artists who encounter a genuine fairy-tale curse which requires true courage instead of their usual bogus exorcisms.
A former radio DJ, suicidally despondent because of a terrible mistake he made, finds redemption in helping a deranged homeless man who was an unwitting victim of that mistake.
A hugely talented but socially isolated computer operator is tasked by Management to prove the Zero Theorem: that the universe ends as nothing, rendering life meaningless. But meaning is what he already craves.
The film's production budget used to be $20 million, when it was planned to shoot in London, UK. Later it was decided to move the production to Bucharest, Romania, and the movie finally could be made for only $8.5 million. See more »
Goofs
When Qohen is sitting at his computer naked, he is wearing flesh colored underwear. See more »
Quotes
Qohen Leth:
Why would you want to prove that all is for nothing?
Management:
I never said all is for nothing. I'm a businessman, Mr. Leth, nothing is for nothing. Ex inordinateo veni pecunia.
Qohen Leth:
What?
Management:
There's money in ordering disorder. Chaos pays, Mr. Leth.
See more »
Crazy Credits
In memory of the great Richard D. Zanuck who kept the ball rolling. See more »
Christoph Waltz plays a troubled man in an oppressive, apparently pointless job in his corporate cubicle. As you'd expect from Gilliam, he explores this not with a bleak gray background, but a garish cartoony near-future world full of madness and humour. I suspect this choice won't be for everyone, as the first hour of the film is slightly over-the-top, particularly David Thewliss's David Brent-like supervisor
though it's always entertaining. But by anchoring the film on Waltz,
who is able to show a mannered but more serious side than his Tarantino roles, Gilliam gains unexpected levels of gravitas as he explores themes of isolation in a connected world, constant surveillance and feelings of doom. This can be filed next to Brazil in tone, and is highly recommended for Gilliam fans as his most successful film for many years.
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Christoph Waltz plays a troubled man in an oppressive, apparently pointless job in his corporate cubicle. As you'd expect from Gilliam, he explores this not with a bleak gray background, but a garish cartoony near-future world full of madness and humour. I suspect this choice won't be for everyone, as the first hour of the film is slightly over-the-top, particularly David Thewliss's David Brent-like supervisor
- though it's always entertaining. But by anchoring the film on Waltz,
who is able to show a mannered but more serious side than his Tarantino roles, Gilliam gains unexpected levels of gravitas as he explores themes of isolation in a connected world, constant surveillance and feelings of doom. This can be filed next to Brazil in tone, and is highly recommended for Gilliam fans as his most successful film for many years.